In: Frank Gadinger, Martina Kopf, Ayşem Mert, and Christopher Smith (eds.). Political Storytelling: From Fact to Fiction (Global Dialogues 12) This essay presents a summary of important perspectives concerning the distinction between what counts as truth or fiction. As a source of inspiration, it starts with two examples found in literature – the first a classical Spanish novel and the second a collection of stories written by the leader of a social movement in Mexico. These two examples of the conflictive relations between truth and fiction, authenticity and imagination serve as a source of inspiration for the rest of this article, which shows that this issue has been a subject of intense debate in philosophy and in the philosophy of science and still presents a challenge in the 21st century. The essay states that absolute, objective truth is a myth. It describes that what counts as ‘truth’ in a particular era, is, among other things, the result of power relations. It suggests productive ways to deal with this problem in modern society, through deliberative, emancipatory processes of reflexivity (Weick 1999), participatory research and dialogue, facilitating innovation and generation of new solutions.
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Kijkend naar de ontwikkelingen in de medische en farmaceutische zorg, concludeer ik dat het belang van innovaties niet altijd in overeenstemming is met de snelheid waarmee die innovaties hun plek krijgen in het standaardhandelingsarsenaal van zorgverleners. Veranderingen in de zorg gaan vaak langzaam en doorbraken worden slecht herkend. De vraag is hoe dit komt. Er blijken vele factoren van invloed op het mogelijke succes van een innovatie. Van groot belang is het inzicht dat innoveren meer is dan iets bedenken en dan maar aannemen dat het wel zal worden opgepikt door de (potentiële) doelgroep. Het aan de man brengen (‘dissemineren’) van de innovatie is mede bepalend voor een succesvolle implementatie. In de farmaceutische zorg is voor deze overbruggingsfunctie een belangrijke rol weggelegd voor de farmakundige. Mijn lectoraat, dat is gekoppeld aan de opleiding Farmakunde, zal zich bezighouden met het onderzoek naar het proces om farmaceutische innovaties te dissemineren. In deze openbare les licht ik de context en consequenties van dit onderzoeksthema nader toe. Ik begin met een uitleg van de farmakundige en diens toegevoegde waarde in het werkveld (hoofdstuk 1), en vervolg met een korte beschrijving van recente veranderingen binnen de zorg (hoofdstuk 2). In het begeleiden van die veranderingen ligt een belangrijke meerwaarde van de farmakundige, en de missie van dit lectoraat. Daarna (hoofdstuk 3) beschouwen we het innoveren in de (farmaceutische) gezondheidszorg in meer detail. Hoofdstuk 4 geeft diverse handvatten voor het kiezen van de juiste interventies om de afstand tussen de innovator en de toekomstige gebruiker te overbruggen en zodoende de toegang voor de gebruiker tot de innovatie te verbeteren. De keuze van de onderzoekslijnen van mijn lectoraat, zoals in hoofdstuk 5 beschreven, is daarvan afgeleid
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In dit afscheidscollege kijk ik terug op de afgelopen vier jaren en schets ik een beeld van de mogelijkheden voor de toekomst. De ondertitel van het afscheidscollege luidt: Van het lectoraat ‘Disseminatie van Farmaceutische Innovaties’ naar het lectoraat ‘Innovatie van Zorgprocessen in de Farmacie’. Het betoog begint met een overzicht van de ontwikkelingen in de (farmaceutische) zorg sinds de start van ons lectoraat (Hoofdstuk 2, Van waar komen we?). Daarna vat ik samen wat we zelf hebben gepresteerd (Hoofdstuk 3, Wat hebben we bereikt?). In hoofdstuk 4 werp ik een blik op de toekomst (Waar gaan we heen?). En ik kan het niet laten ook nog een paar gedachten te formuleren over hoe we die toekomst vorm kunnen geven (Hoofdstuk 5: Hoe gaan we erheen?). Een samenvatting staat in hoofdstuk 6 en ik eindig met een kort dankwoord in hoofdstuk 7.
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Since the first series of Pop Idol aired in the UK just over a decade ago, Idols television shows have been broadcast in more than forty countries all over the world. In all those countries the global Idols format has been adapted to local cultures and production contexts, resulting in a plethora of different versions, ranging from the Dutch Idols to the Pan-Arab Super Star and from Nigerian Idol to the international blockbuster American Idol. Despite its worldwide success and widespread journalistic coverage, the Idols phenomenon has received only limited academic attention. Adapting Idols: Authenticity, Identity and Performance in a Global Television Format brings together original studies from scholars in different parts of the world to identify and evaluate the productive dimensions of Idols. As one of the world's most successful television formats, Idols offers a unique case for the study of cultural globalization. Chapters discuss how Idols shows address particular national or regional identity politics and how Idols is consumed by audiences in different territories. This book illustrates that even though the same television format is used in countries all over the globe, practices of adaptation can still result in the creation of unique local cultural products.
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Introduction book Adapting Idols Since the first series of Pop Idol aired in the UK just over a decade ago, Idols television shows have been broadcast in more than forty countries all over the world. In all those countries the global Idols format has been adapted to local cultures and production contexts, resulting in a plethora of different versions, ranging from the Dutch Idols to the Pan-Arab Super Star and from Nigerian Idol to the international blockbuster American Idol. Despite its worldwide success and widespread journalistic coverage, the Idols phenomenon has received only limited academic attention. Adapting Idols: Authenticity, Identity and Performance in a Global Television Format brings together original studies from scholars in different parts of the world to identify and evaluate the productive dimensions of Idols. As one of the world's most successful television formats, Idols offers a unique case for the study of cultural globalization. Chapters discuss how Idols shows address particular national or regional identity politics and how Idols is consumed by audiences in different territories. This book illustrates that even though the same television format is used in countries all over the globe, practices of adaptation can still result in the creation of unique local cultural products.
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Part III Producing and Consuming Idols, Chapter II Since the first series of Pop Idol aired in the UK just over a decade ago, Idols television shows have been broadcast in more than forty countries all over the world. In all those countries the global Idols format has been adapted to local cultures and production contexts, resulting in a plethora of different versions, ranging from the Dutch Idols to the Pan-Arab Super Star and from Nigerian Idol to the international blockbuster American Idol. Despite its worldwide success and widespread journalistic coverage, the Idols phenomenon has received only limited academic attention. Adapting Idols: Authenticity, Identity and Performance in a Global Television Format brings together original studies from scholars in different parts of the world to identify and evaluate the productive dimensions of Idols. As one of the world's most successful television formats, Idols offers a unique case for the study of cultural globalization. Chapters discuss how Idols shows address particular national or regional identity politics and how Idols is consumed by audiences in different territories. This book illustrates that even though the same television format is used in countries all over the globe, practices of adaptation can still result in the creation of unique local cultural products.
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Does real estate still have the value that it once had, or will the valuation of real estate change due to surprising products and services, innovative business models, different market strategies, innovative ways of organizing and managing in the (real estate) markets? Innovation revolves around good facilities in an attractive and stimulating environment. Take disruptive real estate. The driving force behind these developments are new technology, viability, organizing differently and managing, and these have a big impact on the valuation of real estate. Established names like Nokia, Kodak, Blockbuster, Oad, Free Record Shop, Hyves and V&D collapse, and others, like Hema, Shell, hotel chains and healthcare institutions are the least bothered by it. However, disruptive organizations like Amazon, Zalando, Uber, Tesla and its competitor Faraday Future, who wants to exceed Tesla in everything, clearly respond to viability in the environment, and this is determinative for competitive strength and thus impacts the current and future valuation of real estate. Blockchain – a distributed database that contains a growing list of data items and that is hardened against manipulation and counterfeiting - plays an important role in that. The notaries and brokers have already experienced this in the recent period, and it will continue to have an effect on real estate owners, financiers, users, builders, brokers, notaries and the cadastre. The real estate world finds itself at a tipping point of a transition: a dramatic and irreversible shift in (real estate) systems in society.
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Theoretical trends and schools of thought in the field of anthropology evolve rapidly. Anthropological literature must keep abreast, not only of these intellectual shifts, but also of pressing global, political, and social issues. Thus, this volume, like others before it, seeks to provide updates on the state of the science and the theoretical and methodological trends of the day. Yet, there is another, more important reason why such a volume is necessary now, ‘today’, of all days, and another reason why this will serve as more than just another update on the discipline. Today, we face some of the greatest environmental challenges in global history. Understanding the damage being done by communities, large and small, and the varied ethics and efforts contributing to its repair is of vital importance. For these reasons, environmental anthropology today is different and arguably more critical than ever before. This volume thus poses the question and raises the challenge: What can increasing the emphasis on the environment in environmental anthropology, along with the science of its problems and the theoretical and methodological tools of anthropological practice do to aid conservation efforts, policy initiatives, and our overall understanding of how to survive, culturally and physically, as citizens of the planet? This is an Accepted Manuscript of a book chapter published by Routledge/CRC Press in "Environmental Anthropology Today" on 8/5/11 available online: https://doi.org/10.4324/9780203806906 LinkedIn: https://www.linkedin.com/in/helenkopnina/
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This open access book states that the endemic societal faultlines of our times are deeply intertwined and that they confront us with challenges affecting the security and sustainability of our societies. It states that new ways of inhabiting and cultivating our planet are needed to keep it healthy for future generations. This requires a fundamental shift from the current anthropocentric and economic growth-oriented social contract to a more ecocentric and regenerative natural social contract. The author posits that in a natural social contract, society cannot rely on the market or state alone for solutions to grand societal challenges, nor leave them to individual responsibility. Rather, these problems need to be solved through transformative social-ecological innovation (TSEI), which involves systemic changes that affect sustainability, health and justice. The TSEI framework presented in this book helps to diagnose and advance innovation and change across sectors and disciplines, and at different levels of governance. It identifies intervention points and helps formulate sustainable solutions for policymakers, administrators, concerned citizens and professionals in moving towards a more just and equitable society.
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