EuroSonic NoorderSlag (ESNS) actively engages with around 130 festivals across Europe as part of the ESNS Exchange program. As a leading partner in this initiative, ESNS aims to transition into a fully sustainable festival in the coming years. It recognizes its role in spearheading the sustainability aspect of the ESNS Exchange and the industry at large. However, the current lack of information regarding the industry's sustainability practices poses a challenge, leaving ESNS uncertain about the necessary steps to improve the market as a whole. The NHL Stenden Professorship Transformational Media, ESNS and the minor Music Management are collaborating on a joint project to address this issue. The project aims to assess the current state of sustainable practices in European Music Festivals and analyse how these festivals communicate their initiatives. Additionally, students in the Music minor program will create and test a prototype to encourage festivals to communicate about their sustainability activities.
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Amidst evolving landscapes and contemporary pressures affecting both the arts and rural living, policymakers and artists alike are directing more attention to rural and non-urban cultural practices. Participatory art forms, such as music, offer a unique potential to (re)connect people with each other and their surroundings by fostering reflection and reshaping societal perspectives. However, developing or attempting to integrate existing and new practices into rural communities can pose challenges for artists, especially when coming from outside these locales. Moreover, there is a notable absence of clear and sustainable pathways for artists to engage in participatory practices within rural settings, and research on this subject is limited.This report discusses the results of a case study which took place as part of the broader Sound Soils research project – a practice-oriented initiative aimed at exploring opportunities, roles and approaches for professional musicians to contribute to rural life in the northern Netherlands. In this case study, we aimed to understand the unique qualities and cultural lives of villages in the North-Netherlands region. To do so, we conducted immersive visits to three villages and spoke to locals about the existing cultural fabric of their village, as well as the current concerns and wishes of their inhabitants, both in general and in relation to music activities.Alongside providing other valuable insights into village life in our region more generally, our findings help identify potential ways for musicians to develop (new) collaborative music practices in rural communities, with a focus on forms that are in dialogue with existing local interests and community life. In this way, we seek approaches that have a higher potential for sustainability by being embedded into existing community structures and cultural practices. In this report, we explain the purpose, methodologies, and main findings of the three villages case study and discuss how these results may lead to follow-up research-in-practice projects in the villages studied and others like them.
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Hoe klonk het landschap van je jeugd? Welke geluiden zijn verbonden aan de plek waar je woont en leeft? Zijn er liedjes die herinneren aan belangrijke momenten? In dit deel van het onderzoeksproject Sound Soils onderzoeken we vanuit het lectoraat Music in Context van de Hanzehogeschool Groningen de samenhang tussen muziek en geluiden en de plekken waar mensen opgroeien, leven en een identiteit ontwikkelen. Het lectoraat Music in Context doet praktijkgericht onderzoek naar muziekpraktijken die zich nadrukkelijk verbinden aan maatschappelijke contexten en/of thematieken.Geluiden en muziek zijn op meerdere manieren verbonden met de leefomgeving en identiteit van mensen. Geluiden en liedjes die sterk verbonden zijn met de plek waar je opgroeit, kunnen eraan bijdragen dat een plek betekenis voor je krijgt en dat je je ergens ‘thuis’ voelt: ‘Zoals het klokje thuis tikt, tikt het nergens,’ luidt niet voor niets een bekend spreekwoord.
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Youths in Bolgatanga municipality in the Upper East Region in the rural north of Ghana suffer health and social problems that are caused by their premarital and unsafe sexual behaviour. This study provides more knowledge of and insight into the youths’ conceptions, motives and practices concerning premarital sex in the specific cultural and social context of Bolgatanga municipality. The results of this study can contribute to the development of more effective sexual and reproductive health (SRH) programmes. Interviews with 33 youths and 27 key respondents were carried out. Four repertoires were constructed to present the dynamics wherein the youths’ premarital sexual behaviour takes place. The dominant ideology of abstaining from premarital sex contrasts with the counter ideology of allowing premarital sex, influenced by increasing modernization. SRH programmes should take into account the increasing influence of modernity, gender differences and the compelling influence of peer groups, all of which contribute to youths engaging in premarital sex, with health and social problems as possible consequences. (Afr J Reprod Health 2013; 17[4]: 93-106).
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Dit artikel beschrijft hoe de Rijdende Popschool in de provincie Groningen met kinderen en jongeren (pop)muziek maakt in hun eigen dorp. De Rijdende Popschool voorziet in die behoefte nadat veel mogelijkheden voor kunsteducatie in de buurt zijn weggevallen of te hoogdrempelig is geworden (zowel met betrekking tot de afstand - muzieklessen worden vooral in de stad aangeboden - als de kosten ervan).
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In 1988 werden in Nederland de eerste islamitische basisscholen opgericht. Sindsdien liggen de scholen regelmatig onder vuur. Critici vrezen dat religieuze segregatie de sociale integratie van kinderen belemmert. Dit artikel laat daarentegen, op basis van de resultaten van eerder onderzoek, zien hoe islamitische scholen kunnen bijdragen aan het wederzijdse proces van sociale integratie in de Nederlandse pluriforme samenleving. Verschenen in het special issue van Religions 'Islam and/in Education in the Netherlands' 13: 849.
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Dit artikel gaat in op de zogenaamde digitale kloof en beschrijft hoe met de verandering van die digitale kloof ook de bijhorende sociale interventies moeten wijzigen.
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The use of the Zora robot was monitored and evaluated in 14 nursing care organizations (15 locations). The Zora robot, a Não robot with software, is designed as a social robot and used for pleasure and entertainment or to stimulate the physical activities of clients in residential care. In the first year, the aim was to monitor and evaluate how the care robot is used in daily practice. In the second year, the focus was on evaluating whether the use of Zora by care professionals can be extended to more groups and other type of clients. Interviews, questionnaires and observations were used as instruments to reveal the progress in the use of the robot and to reveal the facilitators and barriers. Care professionals experienced several barriers in the use of the robot (e.g., start-up time and software failures). The opportunity they had to discuss their experience during project team meetings was seen as a facilitator in the project. Furthermore, they mentioned that the Zora robot had a positive influence on clients as it created added value for the care professionals in having fun at work.
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