Academic libraries collect process and preserve and provide access to unique collections insupport of teaching, learning and research. Digitisation of local history collections has beenundertaken as a way to preserving fragile materials and promoting access. On the other hadsocial networking tools provide new ways of providing access to various collections to awider audience. The purpose of the study was to explore how local history collections arepromoted using social media in Uganda. An environmental scan of cultural heritageinstitutions in Uganda with a social media initiative was conducted. A case study of HistoryIn Progress Uganda project is reported in the paper. The project is chosen based on the levelof activity and ability to provide different approaches and practices in using social mediaplatforms. Findings revealed varying levels of activity. Nevertheless, there still existchallenges of promoting access to local history collections. The paper offers insights into thenature and scope of activity in promoting local history collections in Uganda.
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After the violent disintegration of Yugoslavia, a flourishing cultural scene was established in Croatia’s capital Zagreb. The scene calls itself: independent culture. In this book, Sepp Eckenhaussen explores the history of Zagreb’s independent culture through three questions: How were independent cultures born? To whom do they belong? And what is the independence in independent culture? The result is a genealogy, a personal travel log, a mapping of cores of criticality, a search for futurologies, and a theory of the scene.Once again, it turns out that localist perspectives have become urgent to culture. The untranslatability of the local term ‘independent culture’ makes it hard for the outsider to get a thorough understanding of it. But it also makes the term into a crystal of significance and a catalyst of meaning-making towards a theory of independent culture.
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This research examines the cognitive processes of people with schizophrenia as a way of studying today’s conception of the normal and the pathological in Western urban screen cultures. Through a medical humanities approach, which combines textual analysis with genealogy, this research will investigate the cultural construction of what accounts for normal and pathological behaviours. Through the diagnosis of schizophrenia, a cultural threshold is set by psychiatrists on what is different from the norm. By analysing these standards, this research attempts to reassess our conception of the pathological and the normal in these cultures. Eventually, this research argues that it may not be individuals who have pathological behaviour but that these cultures have pathological demands for the subjects that live within them that trigger this behaviour.
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