The Spanish party Podemos can be seen as a result of the Indignados movement, and it represents a shift in Spanish politics away from classical right versus left politics towards a emancipation of the 'demos'. Gepubliceerd bij de Kring voor Internationale Betrekkingen (KIB) van de Universiteit Leuven op 24 april 2016
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This chapter focuses on the construction of pueblo ‘people’ and patria ‘homeland’ in the Spanish discourse of Podemos and the party’s relation to la gente ‘the people’ between June 2016 and its second political conference, Vistalegre II (February 2017). The discursive analysis focuses on figures of speech, such as synecdoche and metaphors, followed by a narrative analysis. The data cover the General Secretary of the party, Pablo Iglesias and the head of the branch in Catalonia, Xavier Domènech. We then apply the explanatory logics developed within discourse theory (Glynos and Howarth 2007) to interpret the results of the analysis1 and we critically reflect on some observed ambiguities in the discourse of Podemos.
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In an image-saturated society, methods for visual analysis gain urgency. This special issue explores visual ways to study online images, focusing on their collection and circulation. The proposition we make is to stay as close to the material as possible. How to approach the visual with the visual? What type of images may one design to make sense of, reshape, and reanimate online image collections? How may arrangements of online images promote various analytical procedures, participatory actions, and design interventions? Furthermore, we focus on the role that algorithmic tools, including machine vision, can play in such research efforts while being sensitive to their flaws and shortcomings. Which kinds of collaborations between humans and machines can we envision to better grasp and critically interrogate the dynamics of today’s digital visual culture? The different practices and formats discussed in this special issue (including data feminism, visual scores, machine vision, image networks, field guides) offer a range of approaches that seek to understand, reanimate, and change perspectives on our digital visual culture.
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