In the GoGreen project an intelligent home that is able to identify inhabitants and events that take place is created. The location of sounds that are being produced is an important feature for the context awareness of this system. A a wireless solution that uses low-cost sensor nodes and microphones is described. Experiments show that solutions that only use the three sensor nodes that are closest to the origin of the sounds provide the best solutions, with an average accuracy of 40 cm or less.Paper published for the ICT Open 2013 proceedings (27-28 November 2013, Eindhoven).
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A method to analyze the sound environment and its relation with typical professional tasks is described in which structured non participative observations are combined with audio recordings. First results of a field study are reported, directed towards the day shift of hospital nurses, working at a surgical ward. With this method we want to contribute context specific outcomes which we consider a prerequisite for the design of dedicated laboratory experiments which can reveal insights transferrable to natural work settings. In our reading of the literature we see many studies on task-sound interaction with one or more of the following shortcomings: 1. The sound conditions used in the experiment are not representative for the dedicated environment. 2. The experimental task is not representative for tasks performed in the dedicated environment. 3. The task-sound interaction is such that subjects are instructed to ignore environmental sounds while in real life they first need to attach meaning to each sound in order to decide whether it is (ir)relevant. It is our expectation that the proposed method helps design experiments that overcome these shortcomings.
In order to receive a licence to produce, poultry farmers have to take into account societal demands, among others: animal welfare, healthy working conditions for the workers and landscape quality. A way to reach a combination of these goals is to create a design for the poultry house and outdoor run. We propose a methodology based on five steps, which enables us to create a design thattakes into consideration societal demands and that can be tested on its effects. These five steps are: 1. Giving a theoretical background on the societal demands (hen ethology, farm management and landscape quality) and based on this; 2. Giving a set of design criteria. 3. Describing the current state of the farm, in order to know its current qualities, 4. Making a design of the farm using the sets of criteria as guiding principle. 5. Reflecting on the design, to show whether the different criteria can be combined and where compromises are needed. A case study on an organic farm in the centre of the Netherlands showed that hen welfare, farm management and landscape quality can be improved together, although some measures do not add to all design criteria. Especially the effect on landscape quality and farm management is variable: the latter is also depending on the personal motivation of the farmer.
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Denim Democracy from the Alliance for Responsible Denim (ARD) is an interactive exhibition that celebrates the journey and learning of ARD members, educates visitors about sustainable denim and highlights how companies collaborate together to achieve results. Through sight, sound and tactile sensations, the visitor experiences and fully engages sustainable denim production. The exhibition launches in October 2018 in Amsterdam and travels to key venues and locations in the Netherlands until April 2019. As consumers, we love denim but the denim industry, like other sub-sectors in the textile, apparel and footwear industries, faces many complex sustainability challenges and has been criticized for its polluting and hazardous production practices. The Alliance for Responsible Denim project brought leading denim brands, suppliers and stakeholders together to collectively address these issues and take initial steps towards improving the ecological sustainability impact of denim production. Sustainability challenges are considered very complex and economically undesirable for individual companies to address alone. In denim, small and medium sized denim firms face specific challenges, such as lower economies of scale and lower buying power to affect change in practices. There is great benefit in combining denim companies' resources and knowledge so that collective experimentation and learning can lift the sustainability standards of the industry and lead to the development of common standards and benchmarks on a scale that matters. If meaningful, transformative industrial change is to be made, then it calls for collaboration between denim industry stakeholders that goes beyond supplier-buyer relations and includes horizontal value chain collaboration of competing large and small denim brands. However collaboration between organizations, and especially between competitors, is highly complex and prone to failure. The research behind the Alliance for Responsible Denim project asked a central research question: how do competitors effectively collaborate together to create common, industry standards on resource use and benchmarks for improved ecological sustainability? To answer this question, we used a mixed-method, action research approach. The Alliance for Responsible Denim project mobilized and facilitated denim brands to collectively identify ways to reduce the use of water and chemicals in denim production and then aided them to implement these practices individually in their respective firms.
This PD project aims to gather new knowledge through artistic and participatory design research within neighbourhoods for possible ways of addressing and understanding the avoidance and numbness caused by feelings of vulnerability, discomfort and pain associated with eco-anxiety and chronic fear of environmental doom. The project will include artistic production and suitable forms of fieldwork. The objectives of the PD are to find answers to the practice problem of society which call for art that sensitises, makes aware and helps initiate behavioural change around the consequences of climate change. Rather than visualize future sea levels directly, it will seek to engage with climate change in a metaphorical and poetic way. Neither a doom nor an overly techno-optimistic scenario seem useful to understand the complexity of flood risk management or the dangers of flooding. By challenging both perspectives with artistic means, this research hopes to counter eco-anxiety and create a sense of open thought and susceptibility to new ideas, feelings and chains of thought. Animation and humour, are possible ingredients. The objective is to find and create multiple Dutch water stories, not just one. To achieve this, it is necessary to develop new methods for selecting and repurposing existing impactful stories and strong images. Citizens and students will be included to do so via fieldwork. In addition, archival materials will be used. Archives serve as a repository for memory recollection and reuse, selecting material from the audiovisual archive of the Institute of Sound & Vision will be a crucial part of the creative work which will include two films and accompanying music.
Het project ‘Data Resonantie’ is een artistiek onderzoeksproject bedoeld om met behulp van moderne technologieën en persoonlijke data nieuwe manieren te ontdekken om in coronatijd veilige, gedeelde openbare ruimtes te creëren. Het onderzoek wil bijdragen aan de ontwikkeling van zowel praktische toepassingen als vernieuwende artistieke methodes in het veld van Mens Machine Interactie op het gebied van veiligheid en privacy in openbare ruimtes waar veel mensen komen en waardoor afstand houden ingewikkeld is. Dat gebeurt in de setting van een aantal labs waarin met persoonlijke data via real-time surveillance een audiovisuele ervaring wordt gegenereerd die participanten een veilige afstand toont, ze laat bijdragen aan de soundscape en ze tegelijkertijd mogelijk bewuster maakt van kwesties rondom het gebruik van persoonlijke data. In de respectievelijke labs zal gebruik worden gemaakt van de expertise van de betrokken partners op het gebied van artistiek onderzoek (Artistic Research Community/Frank Mohr Instituut), experimenteel artistieke settings (Re:Search:Gallery), geluidsresonantie (STEIN) en het gebruik van drones (Omnidones). De centrale vraagstelling is: Hoe kan een artistieke-technisch systeem, dat met behulp van een drone persoonlijke data vertaalt in sensorische ervaringen, individuen in staat stellen om door afstand te houden van elkaar een veilig gedeelde omgeving te co-creëren? Het project is een kruisbestuiving en interdisciplinaire samenwerking tussen een aantal verschillende organisaties in Noord-Nederland; Het is een voorbeeld van de wijze waarop artistiek onderzoekers met een hybride methodologie en met gebruikmaking van verschillende disciplines en expertises ingewikkelde maatschappelijke problemen ter hand kunnen nemen. Daarnaast resulteert het in nieuwe publieke toepassingen voor drone en audio technologieën met de potentie een uitweg te bieden aan sectoren die te lijden hebben onder de corona maatregelen, met in het bijzonder de evenementen industrie en de ermee verbonden horeca en retail.
