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Engaging older adults with a migration background to explore the usage of digital technologies in coping with dementia

Transforming Healthcare: Integrating Positive Health Principles for Enhanced Wellbeing and Lifestyle Change

In November 2021, the Lecturer Position at Institutes (L.INT) professorship was established by Saxion and Medical Spectrum Twente and as partners physiotherapy practice Pro-F and the Thoracic Centre Twente, with Sandra van Hogen-Koster as a professor. With this, the first Dutch professorship that focuses on the ideas of Positive Health has been launched.

The Nerve to Break Taboos: New Realism in the Dutch Discourse on Multiculturalism

This article traces the emergence of one particular genre of discourse, the genre of "new realism" in the Dutch public debates on multicultural society from the early 1990s till Spring 2002. The focus upon different "genres" implies an interest in the performative power of discourse, i.e. the way in which any discourse, in or by its descriptions of reality, (co)produces that reality. Four distinctive characteristics of "new realism" are detected in three subsequent public debates, culminating in the genre of "hyper-realism", of which the immensely successful and recently murdered politician Pim Fortuyn proved to be the consummate champion. Cet article explique le développement d'un genre particulier de discours, le "nouveau réalisme", au sein du débat public sur la société multiculturelle aux Pays Bas. La période étudidée s'étale du début des années 1990 jusqu'au printemps 2002. L'importance attribuée aux différents "genres" reflète un intérêt pour le pouvoir performatif du discours, notamment la facon dont le discours (co)produit la réalité qu'il décrit. On décèle quatre traits distinctifs du "nouveau réalisme" dans trois débats publics qui débouchent sur le "hyper-réalisme" genre dont Pim Fortuyn, homme politique ayant connu un grand succès et victime récente d'un meurtre,s'était fait le champion attitré.

Schatgraven in de geschiedenis van sociaal werk. Over utopieën, wisselende tijdgeesten en ambachtelijk scharrelen

Bij het historisch schatgraven is één van de meest fascinerende vondsten het fenomeen van de veranderende tijdgeest. We kunnen tijdgeest ook ‘sociaal-culturele conjunctuur’ noemen, naar analogie van ‘economische conjunctuur’. Ik hou het op ‘tijdgeest’. Tijdgeest is een moeilijk te pakken en te verklaren verschijnsel, maar het is er niet minder werkzaam door.4 Als we spreken over een veranderde tijdgeest bedoelen we een omslag in collectieve mentaliteit. Die veranderde tijdgeest maakt dat we anders gaan denken, kijken en voelen over allerlei maatschap¬pelijke verschijnselen, en ook over welzijn, over waarden als solidariteit en gelijkheid, rechten en plichten, verantwoordelijk¬heid en maatschappelijk werk. En er spelen vragen als: wie zijn de kwetsbaren, welke taken heeft de overheid en wat moeten burgers zelf doen?

Going Eco, Going Dutch

This paper presents the results of the research project ‘Going Eco, Going Dutch’ (2015- 2017), which investigated the production, design and branding of fashion textiles made from locally produced hemp fibers in the Netherlands. For fashion labels and designers it is often difficult to scrutinize the production of textile fabrics manufactured in non-European countries due to physical distance and, often, non-transparency. At the same time, many designers and established fashion brands increasingly search for sustainable textiles that could be recycled or upcycled after being used by consumers. For the project ‘Going Eco, Going Dutch’, local textile manufacturers and fashion brands closely collaborated to explore how to develop fashionable textiles made from locally produced hemp – from the very first fiber to the final branding of the fashion product. In addition to the technical insights on the production of hemp, this paper will present and highlight the importance of the visual identity of the textiles, which was created by using Dutch traditional crafts – suggesting that this should be understood in terms of Kristine Harper’s ‘aesthetic sustainability’ (2017) as an essential design strategy. In addition, this paper will reflect on the importance of storytelling by focusing on locality and transparency, and on creating an emotional bond and connection between producer, product and consumer. This paper will argue that this form of ‘emotional durability’ (Chapman, 2005, 2009) is essential to both design and branding strategies. Moreover, this paper will critically reflect on the performance of Dutchness – Dutch national identity – through these locally produced fibers, textiles and fashion products.

A Community of cultures

This paper discusses the concepts and social dynamics of fashion imitation and custom imitation as put forth by French sociologist Gabriel Tarde (1843-1904). Specifically his 1903 book The Laws of Imitation will be introduced and used to argue that, and examine how, fashion has, since the turn of the century, increasingly become a global custom rather than the exemplary innovative force Tarde associated with fashion. The second part of the paper therefore suggests turning to custom and tradition may be fruitful to revitalise the current state of fashion and can cause new fashions to come into being. The traditional technique used by the people of the Dutch village of Staphorst to decorate the fabrics for their traditional costumes - Staphorster stippling - which is nominated to be inscribed on UNESCO’s list of intangible cultural heritage, is presented as a case study in which it is shown how cultural traditions may unilaterally contribute to ethical, ecological and innovative fashion design. It is furthermore argued that the reciprocal effect of the dynamics between custom and fashion accounts for the preservation of traditional skills and techniques. The text concludes by examining the chances and opportunities as well as the pitfalls one may associate with the proposed dynamic interaction between fashion and tradition.