This publication has been realized on the occasion of the project FORMER WEST: Documents, Constellations, Prospects, a joint undertaking by BAK, basis voor actuele kunst, Utrecht and Haus der Kulturen der Welt (HKW),Berlin organized at HKW from 18–24 March 2013.
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In dit onderzoeksrapport wordt verslag gedaan van het onderzoek dat door het Crossmedialab is uitgevoerd in het project Publieksannotatie van Cultureel Erfgoed (PACE). Dit proejct is uitgevoerd met subsidie van de regeling 'Digitaliseren met Beleid’ van het ministerie van Onderwijs Cultuur en Wetenschappen in de periode 1 januari 2008 tot en met 31 december 2009. Deelnemers in dit onderzoek waren: Universiteitsmuseum Utrecht, Naturalis, Museon, Novay, de Hogeschool Utrecht en het advies- en managementbureau BMC. Dit brede consortium maakte het mogelijk het project te baseren op zowel kennis en ervaring vanuit de praktijk en de wetenschap. Doel van het project PACE was om te onderzoeken hoe social tagging als instrument ingezet kon worden in het verrijken en toegankelijk maken van de collecties en hoe de betrokkenheid van bezoekersgroepen kon worden vergroot. De sturende vraag van de musa hierachter was: Wanneer is het zinvol social tagging als instrument in te zetten voor musea en welk effect mag je hiervan verwachten?
In The Age of Total Images, art historian Ana Peraica focuses on the belief that the shape of the planet is two-dimensional which has been reawakened in the late 20th and early 21st centuries, and the ways in which these ‘flat Earth’ conspiracy theories are symptomatic of post-digital image culture. Such theories, proven to be false both in Antiquity and Modernity, but once held to be true in the Medieval Period, have influenced a return to a kind of ‘New Medievalism’.
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In view of the 75th commemoration of the liberation of World War II, Visit Brabant asked BUas to connect the main heritage locations in the province through storytelling in order to attract more visitors.In 2015, we developed a narrative concept entitled “Crossroads. Life changing stories 40-45”. In 2016, we developed a brand guide which explains storytelling guidelines. In collaboration with Brabant Heritage and Brabant Remembers, in 2017-208, 15 meetings were organized all over the province to collect personal WWII narratives. From over 600 narratives, together with a group of historians, we selected 75 narratives. Under our guidance, these 75 narratives have been rewritten into Crossroads stories by some 20 different authors. Brabant Remembers has launched a marketing campaign and (digital and physical) experiences based on these stories. The aim is to touch visitors and local people emotionally with personal stories from the past, and to offer new ways of interacting with these stories, especially for young people.WhenThe project has been running since 2015. We currently play an advisory role in the development of the Brabant Remembers app (for example augmented reality videos), and in physical products such as the Dilemma Maze and the Stilllevens of Studio Verdult.Partners: Visit Brabant, Brabant Remembers, Erfgoed Brabant, Stichting Crossroads