Journalists in the 21st century are expected to work for different platforms, gather online information, become multi‐media professionals, and learn how to deal with amateur contributions. The business model of gathering, producing and distributing news changed rapidly. Producing content is not enough; moderation and curation are at least as important when it comes to working for digital platforms. There is a growing pressure on news organizations to produce more inexpensive content for digital platforms, resulting in new models of low‐cost or even free content production. Aggregation, either by humans or machines ‘finding’ news and re‐publishing it, is gaining importance. At so‐called ‘content farms’ freelancers, part‐timers and amateurs produce articles that are expected to end up high in web searches. Apart from this low‐pay model a no‐pay model emerged were bloggers write for no compensation at all. At the Huffington Post thousands of bloggers actually work for free. Other websites use similar models, sometimes offering writers a fixed price depending on the number of clicks a page gets. We analyse the background, the consequences for journalists and journalism and the implications for online news organizations. We investigate aggregation services and content farms and no‐pay or low‐pay news websites that mainly use bloggers for input.
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Ebifananyi II – People Poses Places Andrea Stultiens.People Poses Places is the second part of Ebifananyi, a book series that visualises historical Ugandan photo collections. In People Poses Places we delve into the archive of the photographer Musa Katuramu. In the mid 1930s, teacher and carpenter Musa Katuramu went around his neighbourhood with a simple camera to make portraits of family and friends. His portraits are remarkably intimate and revealing. This is unusual for the time and region where the images were produced. Most camera-owners were outsiders such as missionaries or colonists. Katuramu was an amateur photographer that constructed studios on site. The technology of his camera was limited but he maintained one basic rule that worked; never point your camera towards the sun. Katuramu’s archive was carefully stored by his son Jerry Bagonza. The archive consists of roughly 1500 negatives and 750 prints that have never been shown before. The book is composed of archival images that alternate with contemporary photographs made by Andrea Stultiens and her colleague Rumazi Canon, who grew up in the same region. People Poses Places is the second publication from a series of at least eight books, which present themselves as small intimate publications with an open spine and the local word for photographs printed on it, that literally translates into likenesses.
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After two years, The Mix is coming home. This photo project - a series of four presentations - has been on view at various museums in the Netherlands in recent years. To create it, contemporary photographers were inspired by a photographer whose work is included in the Nederlands Fotomuseum’s collection. Not only did this result in astonishing combinations of photographers and works, it also demonstrates that the Nederlands Fotomuseum is an inexhaustible source of inspiration for new generations. In The Mix, contemporary photographers present new and personal perceptions of works in the Fotomuseum’s collection. For the first time, all four presentations in this photo series will be on show at the same time at the Nederlands Fotomuseum in an exhibition that opens on 15 September. Mission Paul Julien & Andrea Stultiens The second presentation, Mission focuses on the photographic work of Paul Julien (1901-2001), an anthropologist and amateur photographer. For his anthropological research, Julien frequently travelled to Africa where he often made use there of the missionaries’ facilities and expertise. By the time he died, he had accumulated a sizable photography and film archive. For this presentation, Andrea Stultiens (1974) responded to the photos that Julien took during his travels through Liberia (1932) and Sudan (1933 & 1947). For this purpose, she made various journeys to these countries taking pictures made by Julien along with her. There, she consulted local specialists such as storytellers, journalists and photographers to collect stories related to Julian’s pictures with the aim of contributing to a nuanced perception of the huge and diverse African continent.Mission was realised in collaboration with the Limburgs Museum where it was on show from 11 December 2016 to 26 March 2017.
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