The use of algorithmic tools by journalists for information-gathering has received particular attention in recent years. While it might facilitate the research process, there are also concerns about their impact on journalism. Based on reconstruction interviews with 27 journalists, we first answer the primary question to what extent journalists actually use algorithmic-driven tools for research purposes. Then, we analyze which folk theories journalists create during their use of algorithm-driven tools. Results show that algorithmic tools specifically designed for the journalistic research process are rarely or not at all used. Yet, more crucially,search engines and social media, that are driven by algorithms,play a major role when it comes to the search, selection, and verification of sources and information. However, journalists are notaware of this hidden research assistant facilitating their research process. When explicitly asked, they profess specific notions regarding the use of algorithmic-driven tools in the form of folk theories, which are predominantly negative regarding the influence of AI on journalism. At the same time, there is a still a strong feeling of a professional authority among journalists who feel they are able to work autonomously of any kind of influence,including algorithms.
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Dasha Ilina’s video work Advice Well Taken: Folk Tales of Digital Savation uses the ‘techlore’ concept to find out what ‘urban legends’ are in the age of smartphones. You can watch the ‘director’s cut’ of the video installation here. You can also have a look at a selection of the catalogue here. The 2023 Impakt Festival information about the installation can be found here. The essay was commissioned by Dasha Iina for the catalogue that came out in November 2023 during the Impakt Festival in Utrecht, where the video installation premiered. Read the ‘cookie conversation’ with the artist here, conducted by the Impakt Festival.
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This study employed an exploratory approach by applying practice theory to insights gathered throughthe triangulation of interview, document analysis and observation methodologies to 1) map the SacredHarp Singing practice scope and give a nuanced picture of its performativity in the Netherlands, witha particular focus on the Sacred Harp group from Amsterdam comparing it to one from Bremen and 2)investigate the underlying rise of transformative emotions, the social, secular, and religious meanings, andthe sense of belonging to an international community. The findings suggest that Sacred Harp enthusiastsin the region are keen on retaining the legacies of the traditional singers by establishing similar singingatmospheres and by following the practice’s historical customs and practices, including the communalsinging in the “hollow square” and the affinity towards democratic participation. The findings alsoindicate that while there is a noticeable level of commitment and excitement among local enthusiasts,the growth of the groups’ memberships is hampered by a lack of interest by the general public, possiblyin connection with insufficient strategies for publicizing the practice. Therefore, the existence of thesebarriers could imply that the practice would probably grow at a relatively slow pace in the region.
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