Hoofdstuk in The history of youth work in Europe and its relevance for youth policy today. Youth work in the Netherlands goes back a long way and since the 1970s has taken on a rather strong professional image. During the last decades, it went through some hard times, but recently it has undergone a revival and revaluation. (Griensven & Smeets, 2003). The first section of this paper is about how the characteristics of the Dutch affect social work and youth work concepts. The second part discusses the Dutch framework for youth work: definition, fields of activities, core tasks and the ambiguous relationship between youth work and social work. The third section deals with the history of youth work. The paper concludes with a reflection on the future directions that youth work could take. The article is based on Dutch historical research, some by the author, and the author’s involvement in youth work, both as a youth worker and editor- in- chief of the semi-scientific journal Jeugd en samenleving.
Research seminar young people, national narratives and history education UCL London, December 1st, 2015
So-called fake news and problematic information on social media assume an increasingly important roles in political debate. Focusing on the (early) run-up to and aftermath of the 2020 U.S. presidential elections, this study examines the extent of the problematic information in the most engaged-with content and most active users in ‘political Twitter’. We demarcated three time spans, the first surrounding Super Tuesday (March 2-22, 2020), the second providing a snapshot of the aftermath of the elections and the run-up to both the Senate run-off elections in Georgia (December 24, 2020 – January 4, 2021) and the (unforeseen) Capitol Hill riots on January 6, 2021. In the third time span (March 10-21, 2021), when election activities had ceased, we examine the effects of Twitter’s deplatforming (or so-called purge) of accounts after the Capitol riots in January, 2021. In order to shed light on the magnitude of problematic information, we mapped shared sources, labelled them and assessed the actors engaged in their dissemination. It was found that overall, mainstream sources are shared more often than problematic ones, but the percentage of problematic sources was much higher in December compared to both the March, 2020 and 2021 periods. Significantly, (hyper)partisan sources are close to half of all sources shared in the first two periods, implying a robust presence of them on social media. By March 2021, both the share of problematic and of (hyper)partisan sources had decreased significantly, suggesting an impact from Twitter’s deplatforming actions. Additionally, highly active, problematic users (fake profiles, bots, or locked/suspended accounts) were found on both sides of the political spectrum, albeit more abundantly from conservative users.
Society continues to place an exaggerated emphasis on women's skins, judging the value of lives lived within, by the colour and condition of these surfaces. This artistic research will explore how the skin of a painting might unpack this site of judgement, highlight its objectification, and offer women alternative visualizations of their own sense of embodiment. This speculative renovation of traditional concepts of portrayal will explore how painting, as an aesthetic body whose material skin is both its surface and its inner content (its representations) can help us imagine our portrayal in a different way, focusing, not on what we look like to others, but on how we sense, touch, and experience. How might we visualise skin from its ghostly inner side? This feminist enquiry will unfold alongside archival research on The Ten Largest (1906-07), a painting series by Swedish Modernist Hilma af Klint. Initial findings suggest the artist was mapping traditional clothing designs into a spectral, painterly idea of a body in time. Fundamental methods research, and access to newly available Af Klint archives, will expand upon these roots in maps and women’s craft practices and explore them as political acts, linked to Swedish Life Reform, and knowingly sidestepping a non-inclusive art history. Blending archival study with a contemporary practice informed by eco-feminism is an approach to artistic research that re-vivifies an historical paradigm that seems remote today, but which may offer a new understanding of the past that allows us to also re-think our present. This mutuality, and Af Klint’s rhizomatic approach to image-making, will therefore also inform the pedagogical development of a Methods Research programme, as part of this post-doc. This will extend across MA and PhD study, and be further enriched by pedagogy research at Cal-Arts, Los Angeles, and Konstfack, Stockholm.
