This article examines how collaborative design practices in higher education are reshaped through postdigital entanglement with generative artificial intelligence (GenAI). We collectively explore how co-design, an inclusive, iterative, and relational approach to educational design and transformation, expands in meaning, practice, and ontology when GenAI is approached as a collaborator. The article brings together 19 authors and three open reviewers to engage with postdigital inquiry, structured in three parts: (1) a review of literature on co-design, GenAI, and postdigital theory; (2) 11 situated contributions from educators, researchers, and designers worldwide, each offering practice-based accounts of co-design with GenAI; and (3) an explorative discussion of implications for higher education designs and futures. Across these sections, we show how GenAI unsettles assumptions of collaboration, knowing, and agency, foregrounding co-design as a site of ongoing material, ethical, and epistemic negotiation. We argue that postdigital co-design with GenAI reframes educational design as a collective practice of imagining, contesting, and shaping futures that extend beyond human knowing.
MULTIFILE
Although digital technologies promised a renaissance in the publishing industries, publishers still struggle with digital innovations and try to hold on to traditional workflows, production, form and business models. How can we open-up this top-down mode of communication? In this episode we discuss the future of (digital) publishing through interviews with Janneke Adema, Michael Dieter, Morehshin Allahyari and Daniel Rourke. How to approach the act of publishing (digital) in the postdigital age? What happens when we approach the book as an apparatus and what does that mean for the book as we know it? What does is mean for the notion of the author and the reader when we perform the book differently?
MULTIFILE
The New Aesthetic and Art: Constellations of the Postdigital is an interdisciplinary analysis focusing on new digital phenomena at the intersections of theory and contemporary art. Asserting the unique character of New Aesthetic objects, Contreras-Koterbay and Mirocha trace the origins of the New Aesthetic in visual arts, design, and software, find its presence resonating in various kinds of digital imagery, and track its agency in everyday effects of the intertwined physical world and the digital realm. Contreras-Koterbay and Mirocha bring to light an original perspective that identifies an autonomous quality in common digital objects and examples of art that are increasingly an important influence for today’s culture and society.Influenced by a diverse range of figures, ranging from Vilém Flusser, Arthur Schopenhauer, Immanuel Kant, David Berry, Lev Manovich, Olga Goriunova, Ernst Mayr, Bruce Sterling and, of course, James Bridle, The New Aesthetic and Art: Constellations of the Postdigital doesn’t just propose a description of a new set of objects but radically asserts that New Aesthetic objects analogously function as organisms within a broader digital-physical ecosystems of things and agents.
DOCUMENT
De titel van het boek Van meme tot mainstream: internetkunst, esthetiek en offline luxe in een postdigitale wereld, verwijst naar een van de meest karakteristieke eigenschappen van onze tijd: de kracht van het internet die ervoor zorgt dat iets in een fractie van een seconde de wereld over kan gaan en alle aandacht op zich weet te vestigen, om vervolgens net zo snel weer te verdwijnen in het digitale universum. Deze viraliteit is een eigenschap die onze huidige westerse samenleving, kunst en cultuur sterk beïnvloedt. Van internetkunst post-internet, het onderzoeksproject The New Aesthetic, tot de laatste ‘offline als luxe’-trend. In Van meme tot mainstreamneemt Nadine Roestenburg je mee in haar gedachten, verbazing, fascinaties en ontdekkingen die voortkomen uit persoonlijke ervaringen, observaties en onderzoek. Volgens haar kunnen kunstenaars die zich bezighouden met (de impact van) het internet en digitale technologie ons nieuwe inzichten geven. De kunstenaars die worden besproken in Van meme tot mainstreamzoeken de grenzen op van de technologie, proberen de technologie te doorgronden of af te breken, om haar vervolgens op een andere manier weer in elkaar te zetten. Zij reflecteren op fenomenen waar we bewust, of onbewust, allemaal mee te maken hebben. Zij kunnen ons anders naar de wereld laten kijken. Nu de digitale revolutie voorbij is, is het tijd om terug te kijken op de veranderingen van de afgelopen jaren. En ruimte te creëren voor reflectie, waarin we kunnen beoordelen hoe we met onze technologieën om willen gaan en bedenken hoe we willen dat de technologieën er in de toekomst uit zullen zien.
DOCUMENT
The purpose of this paper is to reflect on the experiences of safety and security management students, enrolled in an undergraduate course in the Netherlands, and present quantitative data from an online survey that aimed to explore the factors that have contributed to students’ satisfaction with, and engagement in, online classes during the COVID-19 pandemic. The main findings suggest an interesting paradox of technology, which is worth further exploration in future research. Firstly, students with self perceived higher technological skill levels tend to reject online education more often as they see substantial shortcomings of classes in the way they are administered as compared to the vast available opportunities for real innovation. Secondly, as opposed to democratising education and allowing for custom-made, individualistic education schedules that help less-privileged students, online education can also lead to the displacement of education by income-generating activities altogether. Lastly, as much as technology allowed universities during the COVID-19 pandemic to continue with education, the transition to the environment, which is defined by highly interactive and engaging potential, may in fact be a net contributor to the feelings of social isolation, digital educational inequality and tension around commercialisation in higher education.
MULTIFILE
Moral food lab: Transforming the food system with crowd-sourced ethics
LINK
This short paper describes the first prototyping of a self-evaluation process of Curriculum Agility at a Faculty of Technology in Sweden. The process comprises guided, semi-structured, individual interviews at different organisational levels within the faculty, a joint narrative based on those interviews, prioritizing development strategies per level, and jointly mapping them on importance and implementation time. The self-evaluation is part of and based on the research on the principles of Curriculum Agility. The results show the interplay in timely curriculum change for futureproof engineering education between the teaching staff, the systems and the people who control the systems. The self-evaluation brings together the different perspectives and perceptions within the faculty and gives insight in how those affect he willingness towards and occurrence of curriculum development. This work in progress indicates how doing such a qualitative self-evaluation paves the road for transparent strategic dialogues on a holistic level about what to give attention and organize differently.
DOCUMENT
The energy management systems industry in the built environment is currently an important topic. Buildings use about 40% of the total global energy worldwide. Therefore, the energy management system’s sector is one of the most influential sectors to realize changes and transformation of energy use. New data science technologies used in building energy management systems might not only bring many technical challenges, but also they raise significant educational challenges for professionals who work in the field of energy management systems. Learning and educational issues are mainly due to the transformation of professional practices and networks, emerging technologies, and a big shift in how people work, communicate, and share their knowledge across the professional and academic sectors. In this study, we have investigated three different companies active in the building services sector to identify the main motivation and barriers to knowledge adoption, transfer, and exchange between different professionals in the energy management sector and explore the technologies that have been used in this field using the boundary-crossing framework. The results of our study show the importance of understanding professional learning networks in the building services sector. Additionally, the role of learning culture, incentive structure, and technologies behind the educational system of each organization are explained. Boundary-crossing helps to analyze the barriers and challenges in the educational setting and how new educational technologies can be embedded. Based on our results, future studies with a bigger sample and deeper analysis of technologies are needed to have a better understanding of current educational problems.
DOCUMENT
Alles is online, online is alles. Er valt niet te ontsnappen aan de invloed die van digitale technologie uitgaat. In een paar decennia zijn alle aspecten van het leven door het internet getransformeerd, van onderwijs tot werk, van vriendschap en liefde tot lijden en dood. Een grens tussen een 'echte' en een 'virtuele' wereld is al lang niet meer te trekken: het leven is door en door gemedialiseerd. Toch lijkt de 'digitale revolutie' zich haast geruistloos te hebben voltrokken; wie staat er nog bij stil?Miriam Rasch werd tegelijk met het internet volwassen. In deze essaybundel probeert ze te doorgronden hoe digitale ontwikkelingen ons hebben veranderd. Geïnspireerd door schrijvers en filosofen vraagt ze zich af wat het betekent om mens te zijn in een door data geregeerde wereld. Hoe vind je de weg in de uitgestrektheid van het internet, in een oneindige wereld die overweldigend en tegelijkertijd prachtig is?
DOCUMENT
