This article uses a study of the life-story narratives of former classmates of Dutch and Moluccan descent to argue that the constructionist approach to intersectionality, with its account of identity as a narrative construction rather than a practice of naming, offers better tools for answering questions concerning intersectional identity formation than a more systemic intersectional approach. The case study also highlights the importance of the quest for origins in narratives. It demonstrates that theories of intersectionality are not justified in subsuming the issue of belonging under the identity marker of ethnicity, when all identities are performatively produced in and through narrative enactments that include the precarious achievement of belonging. The case study demonstrates that if narrative accounts of a (singular or collective) life fail to achieve narrative closure regarding roots, attempts to trace routes are seriously hampered.
What does it mean to be precarious, and who self-identifies as part of the precariat? Is it a political position? And if so, how can precariats start to organize themselves? In this first episode of the Zero Infinite podcast we discuss precarity, anti-austerity and work through interviews with Alex Foti, Baruch Gottlieb and Henry Warwick. How did the precariat arise, and who exactly is part of the precariat? The second half of the episode is a homage to the work of the late Mark Fisher. We listen to audio clips from his talk at the INC event MyCreativity in 2014, in which he analyzed the nature of neoliberalism and its consequences for individual wellbeing. What influence does a social system have on mental health, and how can this responsibility become clear?
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This is the first episode of Art in Permacrisis, a podcast on the organization of art workers in the face of the ever-growing stack of crises. How can artists make a living without selling their souls? Can we imagine and practice a sustainable art economy beyond precarity? How should we transform the circulation of artworks, the curriculum of art and design academies, the exhibition programs of museums, and the organization of collectives and unions? We invite speakers with combined backgrounds in art, theory, and organizing to share their insights.For this episode, we are welcoming Kuba Szreder. Kuba is a lecturer in art theory at the Academy of Fine Arts in Warsaw and a freelance curator. He co-founded the Free/Slow University of Warsaw and the Office for Postartistic Practices. The main topic of our conversation is Kuba’s book ABC of the Projectariat: Living and Working in a Precarious Art World.
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