According to Zillmann (2000) viewers function as “untiring moral monitors”; relentlessly coming to moral judgments about the actions and motives of protagonists and antagonists. How does this “moral monitoring” apply to morally ambiguous crime TV drama that features unlawful protagonists? The current exploratory study is based on qualitative interviews (N = 3 × 20) that aimed to provide insight in the grounds of moral evaluations of three selected episodes of mobster drama series The Sopranos. Viewers of three distinctive moral subcultures (i.e., prisoners, law enforcement agents, and civilians) were interviewed. The results revealed that the majority of prisoners and law enforcement agents grounded their moral evaluations mostly in their professional opinions and experiences, and came to fairly strict, yet different moral evaluations. In contrast, most of the civilians had a more “lenient” association with narratives and characters. Civilians generally based their evaluations on the morally ambiguous story world, and therefore showcased more nuances in their moral judgments.
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Little is known about the link between fatherhood and reoffending among people released from prison. This study examined the association between fatherhood, residential status, and registered reconviction rates using data from a Dutch pre-trial prison cohort sample (N = 845, 42.5% fathers). The results show that fathers who co-resided with a partner and children 6 months after release from prison were significantly less likely to be reconvicted 18 months after release than non-fathers and fathers who did not reside with a partner and children. This paper concludes that fathers’ larger family context and reoffending risk factors need to be viewed in conjunction to understand the relationship between fatherhood and reoffending after release from prison.