This research paper looks at a selection of science-fiction films and its connection with the progression of the use of television, telephone and print media. It also analyzes statistical data obtained from a questionnaire conducted by the research group regarding the use of communication media.
![Does Science-Fiction predict [or change] the future?](https://publinova-harvester-content-prod.s3.amazonaws.com/thumbnails/files/previews/pdf/20240419032400973719.adbf7edd-9619-4d0e-9a17-e0e7096adc7f-thumbnail-400x300.png)
Festivals are nowadays a cultural, social, and economic force to be reckoned with. This study will offer an overview of the Dutch festival landscape, which has been lacking. There are commercial initiatives that target only a portion of the festival sector, and there are specific branch organisations or cultural funds that only cover the data of their members, for instance the Netherlands Film Fund reports on ten major Dutch film festivals in their annual Film Facts & Figures of the Netherlands. National institutes such as Statistics Netherlands (CBS) and The Netherlands Institute for Social Research (SCP) also lack substantial data on Dutch festivals.
The installation presents our ongoing investigation of feral ways of knowing, being, and living-with diverse more-than-human ecologies. On display are feral data artifacts such as woven sashes, multispecies tattoos, short dérive films, and an eel trap, all which speak of environmental knowledge and cosmologies in various more-than-human habitats including Colombian chagras, Bohemian forest, Croatian wetlands, and the Gunditjmara Country. Participants are invited to spend time with the artifacts and delve into the stories – of feral relationships and care as well as power and structural inequalities – that they weave together.
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