Search results

Which grass is greener?

We examined the various career paths of PhDs in the Netherlands. In this publication, we feature the personal stories of ten of our study participants, detailing their careers both within and outside of academia. The ten portraits of PhD graduates are complemented by three portraits of employers describing their experiences working with PhDs. The personal accounts featured in this publication contain a wealth of information and recommendations for PhD students, universities and employers alike.

Connecting Our Stories. Inclusion Matters

The Lectorate of Inclusive Education had its official start at the inaugural speech by Aminata Cairo on January 17, 2018. Since then a team of dedicated people have given shape and form to the lectorate. Some have come and gone since then, each contributing in their own way. Inclusive Education is an elusive term. It is not clear-cut and many people do not know what it means. Inherently it is linked to diversity issues, which have become associated with "having to deal with the other", discrimination, exclusion, and more of such bothersome issues. Inclusion is about doing it however, about making it happen. Inclusive education is about creating optimal learning opportunities to accommodate students of all backgrounds, but requires dealing with those difficult issues. The language is not available, the level of comfort is not available, and so here is a whole lectorate dedicated to dealing with this pesky implication that somehow we are not doing something right. That is one way of looking at it. There is some truth in that as well. As successful as our educational systems have been throughout hundreds of years, we now acknowledge that it has not been successful for all who attempt to partake and not necessarily due to their lack of effort. So, somehow we have fallen short. Who wants to talk about that? We need to talk about that, but how? We need to have the sensitivity that the conversation might be difficult and complex. We need to acknowledge that the conversation might require us to open up and be vulnerable. We need to be brave, but the conversation must happen. In this volume the members of the knowledge circle and student branch have taken a first step. The assignment was to write about their involvement with the lectorate, but to share where their passion came from. There is a reason why you are so passionate about this (difficult) topic, something about your story that drives you to want to do this. Share that. It was not an easy task for all, even if only in one paragraph. After all, it requires one to open a window into one's soul. We cannot expect and lead people into the difficult conversations if we are not willing to lead by example. As you will see, they lived up to the task. Hoping that our first step will be an inspiration for you to take the next.

Fluidity of bounderies

In this booklet, the focus is on the stories of three Polish men in The Hague. The researcher, Karijn Nijhoff, has followed these men extensively and has recorded their migration stories in detail. We can read about their arrival, their experiences, their travels. We see a process of temporary and continuous, varied labor market participation. We can see a reality of different shades of gray. Integration, as defined by policy makers, can be a whole different process than the official descriptions prescribe. Er is ook een Nederlandse vertaling van dit rapport in deze database: "Tussen de mazen van het net".

SUSTAIN : making space for transitions in art that matter (English version)

The SUSTainable Artistic INnovation (SUSTAIN) project is a collaborative project between The Hague University of Applied Sciences and Avans University of Applied Sciences. The research was conducted by Jacco van Uden (professor Change Management) and Kim Caarls of The Hague University of Applied Sciences; and Godelieve Spaas (professor Common Economics), Olga Mink and Marga Rotteveel of Avans University of Applied Sciences. We also worked closely with six Spacemakers: Art Partner, Circus Andersom, Future of Work, In4Art, V2_ and Waag. SUSTAIN explores the role of Spacemakers: parties that want to contribute to systemic change by creating space for art in unusual places, such as within the economy, science or technology. The aim: to use art to work towards a sustainable and just society - ecologically, economically and socially. Expectations of what art can do in spheres other than the art world itself are sometimes high. For example, when we claim that art can be the engine of innovation and reflection. But experience shows: art is no panacea. Not everyone sees or recognises the added value of art in transition issues. And when art does come to the table, we do not always manage to make the disruption work. Artists explore the unknown, question what seems logical and connect seemingly disparate elements. It is precisely these qualities that are key to achieving systemic transitions. However, it is not always easy to access the spaces where artists want to make an impact. With this practical research, SUSTAIN offers more insight into the exact role, method and added value of Spacemakers in the transition to be made. The research and results contribute to the further professionalisation of this emerging sector. Just how Spacemaking practices are shaped by different organisations was examined: - Why do Spacemakers do what they do? - What do they see as the promise of art outside the arts? - How do they specifically go about making space for art? - How do Spacemakers deal with the tensions that arise when art gets involved in non-art matters and vice versa? - How do Spacemakers deal with the complicated question of the added value or impact of art and of themselves as space makers? SUSTAIN has produced two key outcomes: 1) The Spacemaker Toolbox, a practical tool for Spacemakers to explore and professionalise their work internally. It involves four models with instructions for use. 2) The Spacemaker Stories, a series of cahiers in which we look at Spacemaker practice from a distance and help Spacemakers articulate more clearly what they do, why they do it, how they do it and what value they create. The five cahiers are: The Calling (38 p.), The Promise of Art (39 p.), The Tension (49 p.), The Help (44 p.) and The Gift (30 p.).

3 Creepy night shift stories

SUSTAIN : making space for transitions in art that matter (Nederlandse versie)

Het project SUSTainable Artistic INnovation (SUSTAIN) is een samenwerkingsproject tussen de Haagse Hogeschool en Avans Hogeschool. Het onderzoek is uitgevoerd door Jacco van Uden (lector Verandermanagement) en Kim Caarls van De Haagse Hogeschool; en Godelieve Spaas (lector Gemeenschappelijke Economie), Olga Mink en Marga Rotteveel van Avans Hogeschool. Daarnaast hebben we nauw samengewerkt met zes Spacemakers: Art Partner, Circus Andersom, Future of Work, In4Art, V2_ en Waag. SUSTAIN onderzoekt de rol van Spacemakers: partijen die willen bijdragen aan systemische verandering door ruimte te creëren voor kunst op ongebruikelijke plekken, zoals binnen de economie, wetenschap of technologie. Het doel: met kunst werken aan een duurzame en rechtvaardige samenleving - ecologisch, economisch en sociaal. De verwachtingen van wat kunst kan betekenen in andere sferen dan de kunstwereld zelf zijn soms hooggespannen. Bijvoorbeeld wanneer we claimen dat kunst de motor van innovatie en reflectie kan zijn. Maar de ervaring leert: kunst is geen panacee. Niet iedereen ziet of erkent de meerwaarde van kunst bij transitievraagstukken. En wanneer kunst wel aan tafel komt, weten we de ontregeling niet altijd werkzaam te maken. Kunstenaars onderzoeken het onbekende, stellen vragen bij wat logisch lijkt en verbinden schijnbaar ongelijksoortige elementen. Juist die kwaliteiten zijn van groot belang voor het realiseren van systeemtransities. Het is echter niet altijd gemakkelijk om toegang te krijgen tot de ruimtes waar kunstenaars een impact willen hebben. Met dit praktijkonderzoek biedt SUSTAIN meer inzicht in de precieze rol, werkwijze en toegevoegde waarde van Spacemakers in de te maken transitie. Het onderzoek en de resultaten dragen bij aan de verdere professionalisering van deze opkomende sector. Onderzocht is hoe Spacemaking-praktijken door de verschillende organisaties worden vormgegeven: - Waarom doen Spacemakers wat ze doen? - Wat zien zij als de belofte van kunst buiten de kunsten? - Hoe gaan zij concreet te werk in het maken van ruimte voor kunst? - Hoe gaan Spacemakers om met de spanningen die ontstaan als kunst zich in niet-kunstzaken gaat mengen en andersom? - Hoe gaan Spacemakers om met de ingewikkelde vraag naar meerwaarde of impact van kunst én van zichzelf als ruimtemakers? SUSTAIN heeft twee belangrijke resultaten opgeleverd: 1) De Spacemaker Toolbox, een praktische tool voor Spacemakers om hun werk te verkennen en intern te professionaliseren. Het gaat om vier modellen met een gebruiksaanwijzing. 2) The Spacemaker Stories, een serie cahiers waarin we de Spacemaker praktijk van een afstand bekijken en Spacemakers helpen duidelijker te verwoorden wat ze doen, waarom ze het doen, hoe ze het doen en welke waarde ze creëren. De vijf cahiers zijn: De Roeping (38 p.), De Belofte van Kunst (39 p.), De Spanning (49 p.), De Hulp (44 p.) en De Gift (30 p.).