A considerable amount of the required information in risk and emergency management is geographical, but this information does not always reach the right actors at the right time, so how can geographical information be organised in such a way that it supports risk and emergency management more effectively? The answer requires a conceptualisation of risk and emergency management practices resulting in the network-centric concept, which implies that those involved in risk and emergency management are connected and that they have the capability to share and access information. The concept was made operational through the development of an information system and the exchange of geographical information within the system was facilitated by the use of peer-to-peer networking in combination with a client server network. On the application level, the information was presented in both map and text forms to support the exchange of information between actors. This way of organising geographical information and technology leads to improved information and communication, better situational awareness and faster decisionmaking.
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This is a print publication of the inaugural lecture of Research Professor (Lector) Patricia de Vries at the Gerrit Rietveld Academie, in Amsterdam. In this lecture, she elaborated on the research area of her research group Art & Spatial Praxis. The research group Art & Spatial Praxis focuses on artistic practices that broaden our imaginations of alternative social orders and ways of living within capitalist city structures.The thematic focus of Art & Spatial Praxis builds on Sylvia Wynter’s rich notion of the plot. With her conception of the plot, Wynter connects the historical enclosures of the plantation to today’s cityscapes. The plot stands for other possibilities that are always present. It represents possibilities rooted in different values and different social orders. This is to say, cityscapes and public spaces are relational, contingent and always contested. The plot challenges the forces of domination, appropriation, exploitation, commodification, gentrification, segregation, digitization, and quantification.What if plot work is a praxis that is socially enacted, embodied, narrativised, and materialised in art practices? What could the plot as artistic praxis be(come)? What constitutes it? What conditions and sustains it? What kind of behaviour, ways of seeing, knowing, and relating does it encourage? In short: what does the plot mean as a spatial art praxis in today’s cityscapes? These are some of the questions the research group Art & Spatial Praxis engages with. These are also pressing questions in the increasingly regulated, privatized, surveilled, and diminished public spaces in ever-more neoliberal cities.Over the years, De Vries has written on a range of topics – be it on fungal co-existence or facial recognition technology: the relationship between society, art, design and research is always the connecting thread.
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This paper explores the impact of the physical and social dimensions of the work environment on satisfaction and perceived productivity of knowledge workers in Dutch universities of applied sciences. The approach took the form of a literature review, multiple case study of six research centres using interviews and logbook analysis, and web-based survey (N = 188). Optimally facilitating knowledge production requires both space for concentration (to support internalisation of knowledge) and space for interaction (to support externalisation of knowledge). None of the work environments involved in the study adequately supported all the phases of knowledge development adequately. Cellular offices with personal desks are preferred for solo work and, whereas new workplace designs with a focus on the office as a meeting place support interaction and collaboration. Spatial layout and interaction have a stronger impact than comfort and absence of distraction. The spatial layout should support both in-depth concentration and communication, fit the internalisation/externalisation ratio of activities, and accommodate the proximity essential for collaborative knowledge development. Being able to choose is the key to success. In terms of research limitations, knowledge workers’ productivity was measured by self-assessment, but only a limited number of diaries were collected. The lessons learned can be used as inputs to decision-making processes regarding the design, implementation and management of working environments in higher education settings. Few studies have been conducted concerning the spatial preferences and needs of knowledge workers in universities of applied sciences. The results show that the physical dimension (comfort and layout) is more important for collective productivity, whereas individual productivity is more strongly influenced by the social dimension (interaction and distraction).
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