The aim of the project is to empower older workers in communication and self-regulation in work and working conditions (Houben 2002). The project is an example of a developmental approach of an age diversity policy. The large scale project started in September 2005 in different organizations: an industrial organization, a management consultancy firm, etc.
DOCUMENT
Light enables us to see and perceive our environment but it also initiates effects beyond vision, such as alertness. Literature describes that at least six factors are relevant for initiating effects beyond vision. The exact relationship between these factors and alertness is not yet fully understood. In the current field study, personal lighting conditions of 62 Dutch office workers (aged 49.7 ± 11.4 years) were continuously measured and simultaneously self-reported activities and locations during the day were gathered via diaries. Each office worker participated 10 working days in spring 2017. Personal lighting conditions were interpreted based on four of the six factors (light quantity, spectrum, timing, and duration of light exposure). Large individual differences were found for the daily luminous exposures, illuminances, correlated colour temperatures, and irradiances measured with the blue sensor area of the dosimeter. The average illuminance (over all participants and all days) over the course of the day peaked three times. The analysis of the duration of light exposure demonstrated that the participants were on average only exposed to an illuminance above 1000 lx for 72 minutes per day. The interpretation of personal lighting conditions based on the four factors provides essential information since all of these factors may be relevant for initiating effects beyond vision. The findings in the current paper give first in-depth insight in the possibilities to interpret personal lighting conditions of office workers.
MULTIFILE
On April 16 and 17, 2020, the third edition of the Sensor data challenge was held by The Hague University of Applied Sciences, Statistics Netherlands, Utrecht University and the National Institute for Public Health and the Environment. The Sensor data challenge provides hardware (various sensors, raspberryPI) and software to teams with a mix of expertise in electronics, mechatronics, data science, user experience and industrial design. Teams need to design a tool and demonstrate its feasibility and relevance for one of the presented challenges. The third challenge had sensor measurements for living and working as the central theme. Winning solutions of the two previous editions have been the starting point for large-scale ongoing research projects. We like to present a brief summary of the solutions presented by the participating teams at the third challenge and offer the winning team the opportunity to share and discuss their ideas at the BigSurv20 with a larger audience.
VIDEO
Due to the existing pressure for a more rational use of the water, many public managers and industries have to re-think/adapt their processes towards a more circular approach. Such pressure is even more critical in the Rio Doce region, Minas Gerais, due to the large environmental accident occurred in 2015. Cenibra (pulp mill) is an example of such industries due to the fact that it is situated in the river basin and that it has a water demanding process. The current proposal is meant as an academic and engineering study to propose possible solutions to decrease the total water consumption of the mill and, thus, decrease the total stress on the Rio Doce basin. The work will be divided in three working packages, namely: (i) evaluation (modelling) of the mill process and water balance (ii) application and operation of a pilot scale wastewater treatment plant (iii) analysis of the impacts caused by the improvement of the process. The second work package will also be conducted (in parallel) with a lab scale setup in The Netherlands to allow fast adjustments and broaden evaluation of the setup/process performance. The actions will focus on reducing the mill total water consumption in 20%.
Fungal colorants offer a sustainable alternative to synthetic colors, which are derived from fossil fuels and contribute to environmental pollution. While fungal colorants could be effectively produced through precision fermentation by microorganisms, their adoption in industry remains limited due to challenges in processing, formulation, and application. ColorFun aims to bridge the gap between laboratory research, artisanal practices, and industrial needs by developing a scalable and adaptable colorant processing system. Building on the TUFUCOL project, which focused on optimizing fungal fermentation, ColorFun consortium gears the focus to downstream processing and industrial applications by using green chemistry. Many SMEs have explored fungal colorants using traditional methods, but due to lack of consistency and reproducibility, they are unsuitable for large-scale production. Meanwhile, lab research usually does not translate directly to industrial applications. Researchers can fine-tune processes under controlled conditions while large-scale production requires consistent formulations that work across different material substrates and processing environments. Without bridging these gaps, fungal colorants remain confined to research and small-scale applications rather than becoming viable industrial alternatives. Instead of developing separate solutions for each sector, ColorFun is working towards a set of standardized extraction and stabilization methods for a stable base colorant product. This pre-processed colorant can then be adjusted by different industries to meet their specific needs. This approach ensures both efficiency in production and flexibility in application. Professionals will collaborate in a test-improve-test circle, ColorFun will refine these formulations to ensure they work in real-world conditions. Students will be involved in the project, contributing to curriculum developments in biotechnology, chemistry, and materials science. Combining efforts, ColorFun lowers the barriers aiding fungal colorants to become a mainstream alternative to synthetic feedstocks. By making these colorants scientifically validated, industrially viable, and commercially adaptable, the project helps accelerate the transition to sustainable color solutions and circular economy.
Under the umbrella of artistic sustenance, I question the life of materials, subjective value structures, and working conditions underlying exhibition making through three interconnected areas of inquiry: Material Life and Ecological Impact — how to avoid the accumulation of physical materials/storage after exhibitions? I aim to highlight the provenance and afterlife of exhibition materials in my practice, seeking economic and ecological alternatives to traditional practices through sustainable solutions like borrowing, reselling, and alternative storage methods that could transform exhibition material handling and thoughts on material storage and circulation. Value Systems and Economic Conditions —what do we mean when we talk about 'value' in relation to art? By examining the flow of financial value in contemporary art and addressing the subjectivity of worth in art-making and artists' livelihoods, I question traditional notions of sculptural skill while advocating for recognition of conceptual labour. The research considers how artists might be compensated for the elegance of thought rather than just material output. Text as Archive and Speculation— how can text can store, speculate, and circulate the invisible labour and layers of exhibition making? Through titles, material lists, and exhibition texts, I explore writing's potential to uncover latent structures and document invisible labor, considering text both as an archiving method and a tool for speculating about future exhibitions. Using personal practice as a case study, ‘Conditions for Raw Materials’ seeks to question notions of value in contemporary art, develop alternative economic models, and make visible the material, financial, and relational flows within exhibitions. The research will manifest through international exhibitions, a book combining poetic auto-theoretical reflection with exhibition speculation, new teaching formats, and long-term investigations. Following “sticky relations," of intimacy, economy and conditions, each exhibition serves as a case study exploring exhibition making from emotional, ecological, and economic perspectives.
