With this article, I explore the connections between blockchain technology, coloniality, and decolonial practices. Drawing on Sylvia Wynter’s thought on the interdependent systems of colonialism, capitalism, and knowledge, as well as more recent work on the coloniality of digital technologies, I argue that blockchain-based systems reproduce certain dynamics at work in historical colonialism. Additionally, Wynter’s decolonial propositions provide a generative framework to understand countercultural practices with. Inspired by Wynter, Patricia de Vries explores the notion of “plot work as artistic praxis” to ask how artistic work, implicated as it is in capitalist logics, can create space for relating dierently in the context of the exploitations of those dominant logics. I apply this notion to examine how Decentralised Autonomous Organisations (DAOs) in the countercultural blockchain space might contribute to this praxis.
MULTIFILE
Hoe overbruggen we de kloof tussen accountant en dataspecialist? Na ruim twee jaar is het tijd voor deel 3 van een serie artikelen over data-analyse. In het eerste artikel werd de buitenste ring van het 'VTAmodel' toegelicht en in het tweede artikel de twee binnenste ringen. Nu worden de toepassingen van het VTA-model besproken.
DOCUMENT
For the 6th episode of Art in Permacrisis, we talk to Inte Gloerich. Inte is a critical media and technology researcher, and a colleague at the Institute of Network Cultures. She is one of the core people behind the research community MoneyLab. Inte also just finished a PhD on feminist blockchain imaginaries. We discuss blockchain beyond the hype, and beyond the wish to get rich fast. How can blockchain be a tool for radical imagination and decentralised autonomous organising in the arts? We discuss concepts and dilemma’s, and briefly revisit what’s left of the NFT boom, but we mainly dive into the practices of contemporary DAOs, from Dayra, to Black Swan, The Sphere, Circles, and CultureStake. What works? What doesn’t work? How? And why?
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