This book provides original, innovative, and international tourism research that is embedded in interdisciplinary and transdisciplinary theoretical and methodological thought in the study of dark tourism.It is almost 25 years since the idea of dark tourism was introduced and presented into the field of tourism studies. The impact of this idea was greater, which attracted a great deal of attention from different researchers and practitioners with a good range of disciplines and farther tourism studies. This edited volume aims to capture a glimpse of the types of cutting-edge thinking and academic research in the domain of dark tourism studies as well as encourage and advance theoretical, conceptual, and empirical research on dark tourism. The book also addresses several future research directions focusing on the experience and emotions of visitors at ‘dark tourism’ sites.This book will be valuable reading for students, researchers and academics interested in dark tourism. Other interested stakeholders including those in the tourism industry, government bodies and community groups will also find this volume relevant.The chapters in this book were originally published as a special issue of the Journal of Heritage Tourism
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Traveling to places associated with death is not a new phenomenon. People have long been drawn, purposefully or otherwise, towards sites, attractions, and events linked in one way or another with death, suffering, violence, or disaster. War-related attractions, though diverse, are a subset of the totality of tourist sites associated with death and suffering. This article aims to assess how "dark" tourism may play a role in leveraging tourism in Palestine, which has largely relied on pilgrimage tourism in the past. This article investigates the potential for developing this form of tourism, since Palestine has been undergoing death, suffering, violence, or disaster through political tension and instability since 1948 and arguably for a generation earlier, but has not yet developed a strategy for tourism development that considers this type of tourism.
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This special issue of Journal of Heritage Tourism on dark tourism aims to encourage and advance theoretical, conceptual, and empirical research on dark tourism. The call for papers was inspired by the editor’s theoretical and research interest in dark tourism studies. The collection of articles in this special issue provides original, innovative and international tourism research that is embedded in interdisciplinary and transdisciplinary theoretical and methodological thought in the study of dark tourism. Finally, this editorial will address a few lines of future research directions focusing on the experience and emotions of visitors at ‘dark tourism’ sites.
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It is almost 20 years since the idea of dark tourism was introduced into tourism studies, which was still predominantly viewed as a fun-based activity with a potential for a beneficent cross-cultural understanding. The suggestion that it could have dark attributes was both novel and shocking. Once introduced, the idea offered new insights into the tourist experience. It promised to open up new connections with many facets of human sensation and behaviour and also an intellectual framework to assist the management of multi-used tourism sites. This paper will examine the promise of the idea as it evolved through the work of numerous scholars who developed and refined the concept and discovered new applications for it and will explain how the focus, which initially was to identify and catalogue dark sites, has shifted towards the motivation, subsequent experience and consequent behaviour of the tourist in relation to the sites.
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This paper aims to extend dark tourism scholarship concerned with existential aspects of the human nature and the power of ‘dark places’ to provoke our thinking about the meaning and purpose of human existence. Our main focus is on the artistic expressions in the form of murals that have emerged in the years following the nuclear disaster in Chernobyl, questioning the significance and meanings they have for the Chernobyl Exclusion Zone, in the context of tourists' perceptions and, more generally, in the context of our being in the world. To that end, we deconstruct the tourist experience of dark sites through knitting together dark tourism, existentialism and street art.
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Dark rides embody a noteworthy phenomenon in theme park destinations and beyond, serving as a textbook example of structured experiences. They therefore offer valuable insights for knowledge development on structured experiences in the broader realm of tourism and leisure experiences. Despite various conceptualizations of the dark ride experience, the visitor's perspective has been largely overseen. Through qualitative interviews we explored 16 distinct dark rides, unveiling key constituent components of their experience and identifying contributing factors. Results indicate that dark rides are primarily appreciated for their ability to generate here-and-now experiences, characterized by imagery, imagery-based states, and emotions. However, visitors may inadvertently shift their focus to internal thoughts and cognitions based on motivation, opportunity, and ability-related switch factors, risking mental disengagement.
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This commentary reflects on the article written by the [authors] through discussing two points. First it will shed some light on the relationship between Utopia and Dystopia and taking the discussion in a slightly different direction that could strengthen their proposition in their article and second will clarify the aspect of emotion in the dark tourism experience.
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This study begins to fill the gap in research of people's motivations to visit sites of death and suffering and to contribute to a deeper understanding of dark tourism consumption within dark conflict sites. The article aims to examine the motivations of visitors to former transit camp Westerbork as an iconic dark site in the Netherlands. The research process involved a self-administered survey questionnaire filled by 238, randomly selected Dutch visitors. Data are analysed by means of exploratory factor analysis to decide upon the relevant factors for representing the motivations of visitors to Westerbork. The findings show that people visit Westerbork mainly for 'self-understanding', 'curiosity', 'conscience', a 'must see' this place and 'exclusiveness'. This is the first study to examine visitors' motivations to Westerbork as a dark site. Most research on visitor motivations is not based on empirical data, but on theoretical research.
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In spite of renewed attention for practices in tourism studies, the analysis of practices is often isolated from theories of practice. This theoretical paper identifies the main strands of practice theory and their relevance and application to tourism research, and develops a new approach to applying practice theory in the study of tourism participation. We propose a conceptual model of tourism practices based on the work of Collins (2004), which emphasises the role of rituals in generating emotional responses. This integrated approach can focus on individuals interacting in groups, as well as explaining why people join and leave specific practices. Charting the shifting of individuals between practices could help to illuminate the dynamics and complexity of tourism systems.
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