More and more non-Western brands and designers entering the fashion world introducing new values, narratives and aesthetics into a dominant Western Fashion discourse deeply intertwined with notions of conceptualism, modernism and postmodernism. In a moment of history where we are facing a failing fashion system, these new voices are introducing new values and new imaginations that try to transform the system into a more inclusive, fair and decentred discipline. Also, on an academic level transnational and decolonial theories are proposing new and fresh lenses on how to critically re-think the Eurocentric Fashion system using new terminologies as de-linking, precedence and aesthesis and the pluri-versal. Do these new perspectives give us the tools to redefine and modify the Western definitions of fashion into a more inclusive and alternative system?
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Journal in which the Groningen Confucius Institute (GCI) shares different perspectives on China and provides insights into China from as many different aspects as possible. GCI aims to provide a full view of real China to the readers as well as featuring international and comprehensive perspectives, cutting-edge topics, in-depth reporting, classic interpretations and vivid exposition.
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