Zoekresultaten

Never mind where, so long as it's fast

The Autumn 2015 edition is a special issue of non-fiction and artwork on the subject of technê and technology. This issue confronts the difficult questions of our time: Where are these tools and technologies leading us? What does it mean for the natural world and our own humanity? And how do we live through this? Jan van Boeckel writes of the documentary he made on 20th century techno-sage Jacques Ellul.

Visits to major Dutch film festivals in 2018

This publication contains an overview of the main facts and figures on the production,distribution and exhibition of feature length films, documentaries, shorts and animated films in 2018 in the Netherlands. It is published annually by the Netherlands Film Fund.

From Opinions to Images

Ulus Baker (1960 – 2007) was a Turkish-Cypriot sociologist, philosopher, and public intellectual. He was born in Ankara, Turkey in 1960. He studied Sociology at Middle East Technical University in Ankara, where he taught as a lecturer until 2004. Baker wrote prolifically in influential Turkish journals and made some of the first Turkish translations of various works of Gilles Deleuze, Antonio Negri, and other contemporary political philosophers. His profuse and accessible work and the novelty of the issues he enthusiastically introduced to Turkish-speaking intellectual circles, earned him a widely spread positive reputation in early age. He died in 2007 in Istanbul.The text in this edition is edited from essays and notes Ulus Baker wrote between 1995 and 2002. In these essays, Baker criticizes the sociological research turning into an analysis of people’s opinions. He explores with an exciting clarity the notion of ‘opinion’ as a specific form of apprehension between knowledge and point of view, then looks into ‘social types’ as an analytical device deployed by early sociologists. He associates the form of ‘comprehension’ the ‘social types’ postulate with Spinoza’s notion of ‘affections’ (as a dynamic, non-linguistic form of the relation between entities). He finally discusses the possibilities of reintroducing this device for understanding our contemporary world through cinema and documentary filmmaking, by reinstating images in general as ‘affective thought processes’.Baker’s first extensive translation to English provides us with a much-needed intervention for re-imagining social thought and visual media, at a time when sociology tends to be reduced to an analysis of ‘big data’, and the pedagogical powers of the image are reduced to data visualization and infographics.

Social media and documentary cinema : the Arab Spring, the Wall Street Movement, challenges and implications for documentary filmmakers

Social media and documentary cinema : the Arab Spring and Wall Street Movement, challenges and implications for documentary filmmakers

Used by millions on a daily basis Web 2 and social media have become part of our lives; Facebook arguably developed into the largest online group worldwide with some 800 million users - or one seventh of the world's population. (Facebook, 2011) This paper reviews social media and provides a general overview of the same from the perspective of an independent documentary filmmaker. The paper investigates use of social media during the Arab Spring and Wall Street Movement (Occupy, 2011) and compares social- with traditional media. Using the example of the documentary 'God, Church, Pills & Condoms' (F Kohle, A Cuevas, 2011) the tools social media offers are examined and their applications are discussed. Web 2 is the accumulative sum of print, radio, TV and film, offering an ever-increasing amount of content. What are the implications and challenges for Documentary filmmakers? How can documentary filmmakers explore the full potential of social media? Does social media really offer an alternative to traditional content commissioning, content development and distribution as well as fund raising? The paper concludes by examining future trends for social media and potential applications in documentary filmmaking.

Social media and documentary cinema : the Arab Spring, the Wall Street Movement, challenges and implications for documentary filmmakers

Used by millions on a daily basis Web 2 and social media have become part of our lives; Facebook arguably developed into the largest online group worldwide with some 800 million users - or one seventh of the world's population. (Facebook, 2011) This paper reviews social media and provides a general overview of the same from the perspective of an independent documentary filmmaker. The paper investigates use of social media during the Arab Spring and Wall Street Movement (Occupy, 2011) and compares social- with traditional media. Using the example of the documentary 'God, Church, Pills & Condoms' (F Kohle, A Cuevas, 2011) the tools social media offers are examined and their applications are discussed. Web 2 is the accumulative sum of print, radio, TV and film, offering an ever-increasing amount of content. What are the implications and challenges for Documentary filmmakers? How can documentary filmmakers explore the full potential of social media? Does social media really offer an alternative to traditional content commissioning, content development and distribution as well as fund raising? The paper concludes by examining future trends for social media and potential applications in documentary filmmaking.