E-discovery projects typically start with an assessment of the collected electronic data in order to estimate the risk to prosecute or defend a legal case. This is not a review task but is appropriately called early case assessment, which is better known as exploratory search in the information retrieval community. This paper first describes text mining methodologies that can be used for enhancing exploratory search. Based on these ideas we present a semantic search dashboard that includes entities that are relevant to investigators such as who knew who, what, where and when. We describe how this dashboard can be powered by results from our ongoing research in the “Semantic Search for E-Discovery” project on topic detection and clustering, semantic enrichment of user profiles, email recipient recommendation, expert finding and identity extraction from digital forensic evidence.
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Corporate reputation is becoming increasingly important for firms; social media platforms such as Twitter are used to convey their message. In this paper, corporate reputation will be assessed from a sustainability perspective. Using sentiment analysis, the top 100 brands of the Netherlands were scraped and analyzed. The companies were registered in the sustainable industry classification system (SICS) to perform the analysis on an industry level. A semantic search tool called Open Semantic Desktop Search was used to filter through the data to find keywords related to sustainability and corporate reputation. Findings show that companies that tweet more often about corporate reputation and sustainability receive overall a more positive sentiment from the public.
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1e alinea column: De ontstellende hoeveelheid informatie en contactmogelijkheden op internet stelt ons voor de keuze wie we willen zijn en volgens welke waarden we willen leven. Waar Internet 1.0 nog vooral gezien kon worden als een grote database met Google als markt-hit, speelt in het semantic web sociale interactie een grote rol. In het semantic web kan alle data en dus bijvoorbeeld ook al uw berichtjes, profielgegevens, bestandjes en teksten en dat van anderen, nog gemakkelijker verspreid, gecombineerd, maar ook geanalyseerd en op maat worden gepresenteerd. Op iedere unieke vraag of zoekopdracht direct dus een uniek antwoord.
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The primary objective of this research is to develop the new practical methodology of "Vocalising Resonance", as a development of existing methods. The approach intends to involve artists and citizens in a multi-sensory engagement with their surrounding environment, by collectively utilizing the 'physical', non-semantic voice as a tool for communication. This methodology's creation is rooted in the application of artistic research to well-formulated arguments within contemporary humanities studies. It also incorporates existing approaches for engaging with sound and voice in a multisensory and multidisciplinary manner. Musicologist, Nina Eidsheim argues that music research should not solely focus on the figure of sound, but should also delve into the materiality of sound as vibration (Eidsheim, Sensing Sound). Similarly, this research aims to explore the voice as an experience connected to the whole body and senses, rather than simply hearing. Several existing strategies offer starting points. The second objective of this research is to investigate how the proposed methodology of "Vocalising Resonance" may have a transformative impact on participants' consciousness, by increasing their exposure to diversity and facilitating their realisation that persons in the literal meaning of the word are “the speaking through - sonare + per- the masks that make up our social selves”(Scapp, A Question of Voice). Broadening the scope beyond traditional norms, the project paves the way for a more inclusive, sensorially rich understanding of performing arts, inviting a holistic approach that goes beyond typical categorisations, enhancing the immersive nature of performances. It prompts reflections on the significance of an audience to define a voice, the essence of a voice irrespective of language, and how the non-semantic use of voice serves as a powerful interdisciplinary communication tool within abstract performance contexts. This process seeks to offer a new perspective and transform our practices.
