Le chevalier délibéré by Olivier de la Marche is now largely forgotten. Immediately after its publication in 1483, however, it enjoyed great success. The text was disseminated throughout Europe and was held in particularly high esteem in the French-speaking parts of the Netherlands. Such was its popularity in this region that it came to have a profound effect on Dutch literature. The text was translated twice into Dutch, by Pieter Willemsz in 1492, as Vanden ridder welghemoet, and by Jan Pertcheval a year later as Den camp vander doot. Two very early editions offtie original French text were also published in the Netherlands. Moreover, wood cuts from the book were used in other volumes, and the first Spanish translations of Le chevalier délibéré were printed in Antwerp. Several Dutch authors were also directly inspired by this French poem, using it as the basis of their own work. Jan vaA den Dale and Jan Baptist. Hb,uwaer¥are particularly indebted to de la Marche. These writers were in turn highly successful, even if they have now lapsed into obscurity: Jan van den Dale was held in especially high regard, as his Wre vander doot was reprinted at least five times.
This research explores two processes: globalisation and regionalisation. They will be analysed by means of what the author calls the 'conceptual triangle': the mutual interdependence of politics, economy and society. This analysis will be undertaken from a cultural sociological perspective. This means, that especially the way people value and give meaning to the processes of globalisation and regionalisation - but also vice versa: how these processes influence the values and meaningful structures of people - are central to this study.
In: Frank Gadinger, Martina Kopf, Ayşem Mert, and Christopher Smith (eds.). Political Storytelling: From Fact to Fiction (Global Dialogues 12) This essay presents a summary of important perspectives concerning the distinction between what counts as truth or fiction. As a source of inspiration, it starts with two examples found in literature – the first a classical Spanish novel and the second a collection of stories written by the leader of a social movement in Mexico. These two examples of the conflictive relations between truth and fiction, authenticity and imagination serve as a source of inspiration for the rest of this article, which shows that this issue has been a subject of intense debate in philosophy and in the philosophy of science and still presents a challenge in the 21st century. The essay states that absolute, objective truth is a myth. It describes that what counts as ‘truth’ in a particular era, is, among other things, the result of power relations. It suggests productive ways to deal with this problem in modern society, through deliberative, emancipatory processes of reflexivity (Weick 1999), participatory research and dialogue, facilitating innovation and generation of new solutions.
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