Background The Self-Expression Emotion Regulation in Art Therapy Scale (SERATS) was developed as art therapy lacked outcome measures that could be used to monitor the specific effects of art therapy. Although the SERATS showed good psychometric properties in earlier studies, it lacked convergent validity and thus construct validity. Method To test the convergent validity of the SERATS correlation was examined with the EES (Emotional Expressivity Scale), Emotion Regulation Strategies for Artistic Creative Activities Scale (ERS-ACA) and Healthy-Unhealthy Music Scale (HUMS). Patients diagnosed with a Personality Disorder, and thus having self-regulation and emotion regulation problems (n = 179) and a healthy student population (n = 53) completed the questionnaires (N = 232). Results The SERATS showed a high reliability and convergent validity in relation to the ERS-ACA approach strategies and self-development strategies in both patients and students and the HUMS healthy scale, in patients. Hence, what the SERATS measures is highly associated with emotion regulation strategies like acceptance, reappraisal, discharge and problem solving and with improving a sense of self including self-identity, increased self-esteem and improved agency as well as the healthy side of art making. Respondents rated the SERATS as relatively easy to complete compared to the other questionnaires. Conclusion The SERATS is a valid, useful and user-friendly tool for monitoring the effect of art therapy that is indicative of making art in a healthy way that serves positive emotion regulation and self-development.
Art sociologist Pascal Gielen defends the hypothesis that global art scene is an ideal production entity for economic exploitation. These days the workethic of the art world with its ever-present young dynamic, flexible working hours, thematic approach, short-term contracts or lack of contracts and its unlimited energetic freedom is capitalized within the cultural industry and has been converted into a standard production model. In the glow of the creative cities and the creative industry governmetns embrace this post-Henry Ford work model and seamlessly link it to the globally-dominant neo-liberal market economy.
Many affective experiences and learning processes including attachment patterns from early developmental phases manifest during psychotherapy. The first 15 min in art therapy can potentially reveal clients’ preferred ways of processing information or Expressive Therapies Continuum components, attachment patterns in the material handling process, and emotion regulation strategies during art making. This article discusses how, through clients’ choice of materials and manner of interaction with those materials, information about attachment patterns and preferred emotion regulation is available in art therapy. Paying close attention to the first image and material interaction provides crucial information that will guide the goals and course of art therapy. Two case vignettes demonstrate that within the first 15 min of art therapy information is readily gathered about attachment styles, Expressive Therapies Continuum components, emotion regulation, and the course of art therapy.
Recycling of plastics plays an important role to reach a climate neutral industry. To come to a sustainable circular use of materials, it is important that recycled plastics can be used for comparable (or ugraded) applications as their original use. QuinLyte innovated a material that can reach this goal. SmartAgain® is a material that is obtained by recycling of high-barrier multilayer films and which maintains its properties after mechanical recycling. It opens the door for many applications, of which the production of a scoliosis brace is a typical example from the medical field. Scoliosis is a sideways curvature of the spine and wearing an orthopedic brace is the common non-invasive treatment to reduce the likelihood of spinal fusion surgery later. The traditional way to make such brace is inaccurate, messy, time- and money-consuming. Because of its nearly unlimited design freedom, 3D FDM-printing is regarded as the ultimate sustainable technique for producing such brace. From a materials point of view, SmartAgain® has the good fit with the mechanical property requirements of scoliosis braces. However, its fast crystallization rate often plays against the FDM-printing process, for example can cause poor layer-layer adhesion. Only when this problem is solved, a reliable brace which is strong, tough, and light weight could be printed via FDM-printing. Zuyd University of Applied Science has, in close collaboration with Maastricht University, built thorough knowledge on tuning crystallization kinetics with the temperature development during printing, resulting in printed products with improved layer-layer adhesion. Because of this knowledge and experience on developing materials for 3D printing, QuinLyte contacted Zuyd to develop a strategy for printing a wearable scoliosis brace of SmartAgain®. In the future a range of other tailor-made products can be envisioned. Thus, the project is in line with the GoChem-themes: raw materials from recycling, 3D printing and upcycling.
De 55plus Toolbox (www.55plustoolbox.nl) ondersteunt ondernemers, ontwerpers en marketeers, bij het innoveren voor 55plussers: wie zijn 55plussers, hoe ontwerp je daar producten voor, hoe richt je de marketing hiervoor in en hoe vermarkt je producten voor deze doelgroep? De gratis toegankelijke toolbox bevat informatie over de doelgroep, handige tools voor bij het innoveren en inzichtelijke cases. De 55plus Toolbox is het resultaat van het RAAK-project Vitale Oudere dat begin 2011 is afgerond. Het was een samenwerking tussen Saxion lectoraat Industrial Design, lectoraat Gezondheid Welzijn en Technologie en andere partners in de regio, waaronder Jaarsma + Lebbink en Panton. Jaarsma + Lebbink biedt tegenwoordig met een aantal partners commerciële diensten aan op het gebied van markt- en productstrategie en –ontwikkeling ter ondersteuning van bedrijven die actief willen zijn op de ouderen-markt. Sinds begin 2017 heeft Jaarsma + Lebbink het beheer over de 55 plus Toolbox. Jaarsma + Lebbink wil met partners bedrijven en instellingen helpen om hun producten en diensten beter af te stemmen op de doelgroep, de 50-plusser, zodat deze organisaties hun concurrentiepositie kunnen versterken. De Toolbox is daarbij een heel nuttig instrument, een bron van informatie en inspiratie, maar dan dient deze wel geüpdatet te worden. Voor Panton, een ontwerpstudio voor de gezondheidzorg in Deventer, zijn ouderen een belangrijke doelgroep voor de producten die ontwikkeld worden. Panton en Jaarsma + Lebbink hebben Saxion Lectoraat Industrial Design gevraagd mee te werken aan de vernieuwing van de 55 Plus Toolbox. Doel van het project is te komen met een vernieuwde Toolbox die een stap verder gaat dan de huidige Toolbox. De vernieuwde Toolbox sluit aan op de huidige vragen en behoeften van potentiële gebruikers: bedrijven en organisaties die met producten en diensten willen innoveren voor de doelgroep ouderen, deze doelgroep op een positieve manier willen bereiken en benaderen via marketing en producten en diensten in de markt willen zetten voor deze doelgroep. De vernieuwde Toolbox biedt organisaties enerzijds de mogelijkheid zelf aan de slag te gaan met innovatie voor de 50 plus doelgroep. Hiervoor worden in de Toolbox kennis, innovatietools en cases aangeboden waarmee organisaties zich kunnen oriënteren op de 50 plus doelgroep en eerste vragen beantwoord kunnen krijgen. Anderzijds wordt organisaties de inzet geboden van professionele bureaus zoals Jaarsma en Lebbink en Panton, voor de ondersteuning op het gebied van marketing en productontwikkeling, en hogeschool Saxion voor praktijkgericht onderzoek op dit vlak.
Carboxylated cellulose is an important product on the market, and one of the most well-known examples is carboxymethylcellulose (CMC). However, CMC is prepared by modification of cellulose with the extremely hazardous compound monochloracetic acid. In this project, we want to make a carboxylated cellulose that is a functional equivalent for CMC using a greener process with renewable raw materials derived from levulinic acid. Processes to achieve cellulose with a low and a high carboxylation degree will be designed.
