In 2017, Denmark sent the first digital ambassador, Casper Klynge, to Silicon Valley. The aim of this move of ‘techplomacy’ was, as Klynge explained, not simply to distribute greetings notes by the Danish queen. Rather, the intention was to ‘update diplomacy’ based on the recognition that a few tech companies have obviously become much ‘more influential than some nation states’. Klynge framed the new political course in the manner of a well-known old but still utterly contemporary mantra: ‘There is no alternative’. In a similar vein, Denmark’s Foreign Minister Anders Samuelson highlighted the importance of the step as follows: ‘Just as we engage in a diplomatic dialogue with countries, we also need to establish and prioritize comprehensive relations with tech actors, such as Google, Facebook, Apple, and so on. (…) The idea is, we see a lot of companies and new technologies that will in many ways involve and be part of everyday life of citizens in Denmark.'
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CLEMENS APPRICH, DAPHNE DRAGONA, GEERT LOVINK, AND FLORIANWÜST - CONVERSATION MODERATED BY KRISTOFFER GANSINGOn August 6, 2019, the curatorial advisors of the transmediale 2020 exhibition, ‘The Eternal Network’, gathered at the festival’s offices in Berlin for a conversation on the status of network culture and theory today. Starting from the question ‘What was the network?’, the conversation explored the multiple trajectories of networks within cybernetics, art and philosophy, also taking the limits of networks into account. This included a reconsideration of the role of alternative and critical networks in today’s widespread digitalization, with its data-centric platform economy and the techno-cultural changes wrought by artificial intelligence.