BackgroundA valuable opportunity for reducing the fall incidence in hospitals, is alerting nurses when a patient is about to fall. For such a fall prevention system, more knowledge is needed on what occurs right before a fall. This can be achieved with a stereo camera that automatically detects (and records) dangerous situations.MethodsInpatients with a high risk of falling are selected for inclusion. A fall-risk questionnaire is administered and falls are logged during their stay. A stereo-camera (3D BRAVO-EagleEye system) is mounted in the ceiling and monitors the bed with surroundings. A baseline recording is made to improve the algorithms behind the alert system. When a fall or dangerous situation is detected, monitoring data preceding the incident is stored. Data is analyzed to assess 1) the quality of the system and 2) the prevalence of dangerous situations. Interviews with senior nurses are included in the evaluation.ResultsData collection is ongoing (Currently n=18; falls=1), and currently consists of ±62 hour of baseline recordings and ±24 hour of event-based recordings. These recordings include false positives as well as actual high risk situations.ConclusionsDespite the initial enthusiasm of the participating departments, inclusion of participants is slow, and the number of falls lower than expected. Possible explanations for this have been discussed with the involved senior nurses. With the monitoring data we gained more insight into the occurrence of dangerous situations, but to be able to reliably predict falls, more data on actual fallsshould be recorded.
In The Age of Total Images, art historian Ana Peraica focuses on the belief that the shape of the planet is two-dimensional which has been reawakened in the late 20th and early 21st centuries, and the ways in which these ‘flat Earth’ conspiracy theories are symptomatic of post-digital image culture. Such theories, proven to be false both in Antiquity and Modernity, but once held to be true in the Medieval Period, have influenced a return to a kind of ‘New Medievalism’.
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