In this work, we trace and analyze some production and design choices taken during the developing of Progetto Ustica: a serious game about memory. The game tells the story of the Itavia civilian flight shot down over theMediterranean Sea, near the island of Ustica, on June 27th, 1980. We aim at discussing the implications of academic research in the context of a peculiarvideo game production and at connecting serious and applied games with the concept of ethical gameplay. We adopt a Research through Design perspective (the first author of this study is also one of the game designers of Progetto Ustica), supported by secondary texts, such as the development blog, and “working documents” such as the concept paper and the game design document. We document the relationship between designers and key stakeholders, including the Association of the Victims’ Relatives. We also consider the historical, ethicaland moral positions adopted by the designers, their communicative intentions, and their responsibilities facing historical narrative. In conclusion, we connectthe practice of ethical and serious game design with the concepts of catastrophe and massacre, thus opening a space for dialogue between design, academic research, and civil engagement.
With the increased adoption of real-time objective measurements of player experience, advances have been made in characterising the dynamically changing aspects of the player experience during gameplay itself. A direct coupling to player action, however, is not without challenges. Many physiological responses, for instance, have an inherent delay, and often take some time to return to a baseline, providing challenges of interpretation when analysing rapidly changing gameplay on a micro level of interaction. The development of event-related, or phasic, measurements directly coupled to player actions provides additional insights, for instance through player modelling, but also through the use of behavioural characteristics of the human computer interaction itself. In this study, we focused on the latter, and measured keyboard pressure in a number of different, fast-paced action games. In this particular case, we related specific functional game actions (keyboard presses) to experiential player behaviour. We found keyboard pressure to be higher for avoidance as compared to approach-oriented actions. Additionally, the difference between avoidance and approach keyboard pressure related to levels of arousal. The findings illustrate the application potential of qualifying players’ functional actions at play (navigating in a game) and interpret player experience related to these actions through players’ real world behavioural characteristics like interface pressure.
MULTIFILE
Electronic Sports (esports) is a form of digital entertainment, referred to as "an organised and competitive approach to playing computer games". Its popularity is growing rapidly as a result of an increased prevalence of online gaming, accessibility to technology and access to elite competition.Esports teams are always looking to improve their performance, but with fast-paced interaction, it can be difficult to establish where and how performance can be improved. While qualitative methods are commonly employed and effective, their widespread use provides little differentiation among competitors and struggles with pinpointing specific issues during fast interactions. This is where recent developments in both wearable sensor technology and machine learning can offer a solution. They enable a deep dive into player reactions and strategies, offering insights that surpass traditional qualitative coaching techniquesBy combining insights from gameplay data, team communication data, physiological measurements, and visual tracking, this project aims to develop comprehensive tools that coaches and players can use to gain insight into the performance of individual players and teams, thereby aiming to improve competitive outcomes. Societal IssueAt a societal level, the project aims to revolutionize esports coaching and performance analysis, providing teams with a multi-faceted view of their gameplay. The success of this project could lead to widespread adoption of similar technologies in other competitive fields. At a scientific level, the project could be the starting point for establishing and maintaining further collaboration within the Dutch esports research domain. It will enhance the contribution from Dutch universities to esports research and foster discussions on optimizing coaching and performance analytics. In addition, the study into capturing and analysing gameplay and player data can help deepen our understanding into the intricacies and complexities of teamwork and team performance in high-paced situations/environments. Collaborating partnersTilburg University, Breda Guardians.
Psychosocial problems related to social isolation are a growing issue for wellbeing and health and have become a significant societal problem. This is especially relevant for children and adults with chronic illnesses and disabilities, and those spending extended periods in hospitals or permanently living in assisted living facilities. A lack of social relationships, social connectivity, and the inability to travel freely leads to feelings of isolation and loneliness. Loneliness interventions often use mediated environments to improve the feeling of connectedness. It has been proven that the utilization of haptic technologies enhances realism and the sense of presence in both virtual environments and telepresence in physical places by allowing the user to experience interaction through the sense of touch. However, the technology application is mostly limited to the experiences of serious games in professional environments and for-entertainment-gaming. This project aims to explore how haptic technologies can support the storytelling of semi-scripted experiences in VR to improve participants’ sense of presence and, therefore, the feeling of connectedness. By designing and prototyping the experience, the project aims to obtain insights and offer a better understanding of designing haptic-technology-supported storytelling and its potential to improve connectedness and become a useful tool in isolation interventions. The project will be conducted through the process of participants’ co-creation.
Urban Sports is een verzamelnaam voor sporten die in de stedelijke omgeving - niet in clubverband - worden uitgeoefend. Het is een van de snelst groeiende takken van sport, ter illustratie: bmx- en skateparken zijn t.o.v. 2014 qua bezoekersaantallen met 326% gestegen. Tevens zijn dit sporten die een meer individuele en vrije benadering vragen én die bovenal een enorme groeimarkt zijn. In een eerder project uit 2015 is er bottom-up onderzoek gedaan naar wat urban sporters willen op het gebied van gamificatie met de vraag: Wat gebeurt er wanneer we elementen van digitaal gamen toevoegen aan de fysieke gameplay van urban sports? Dit heeft een veelbelovend concept opgeleverd, waar op dat moment de technologie en markt nog niet rijp voor waren. Ondertussen is de Urban Sports markt flink geprofessionaliseerd, is de technologie toegankelijker en goedkoper geworden. Urban Sports Performance Centre, Fontys ICT en GameSolutionsLab zien daarom kansen om het genoemde concept door te ontwikkelen voor de urban Sports markt. Maar ook voor zowat alle sporten in een hal én markten in revalidatie, zorg, fitness en scholen. Playful Layer for Urban Sports, ofwel het PLUS-concept voegt een interactieve speelse laag toe aan bestaande sportfaciliteiten. Door een combinatie van dynamische projecties en detectie van mensen en objecten. Wordt de urban sporter in een mixed-reality game omgeving gebracht met echte en geprojecteerde elementen. Kenmerken van de beoogde oplossing zijn: 1. Het projecteren en detecteren van personen op een bestaande omgeving voor (urban) sports inclusief objecten; 2. Het wordt een mobiel systeem dat overal (tijdelijk) te installeren is en geen hoge installatiekosten heeft; 3. End-user-programming, de gebruiker kan zelf game-elementen aan een bestaande ‘low-tech’ omgeving toevoegen.