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Musicians as lifelong learners

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Een instrument (leren) bespelen? Hoe oud je ook bent: oefenen moet je toch!

Met een consortium van muziekdocenten die zich gespecialiseerd hebben in ouderen en muziek voerde het lectoraat Lifelong Learning in Music van 2010-2012 onderzoek uit naar het leren bespelen van een instrument op oudere leeftijd. Maar hoe is het om voor het eerst een instrument te leren bespelen in de drukste levensfase in combinatie met kinderen en werk. Linda Hendriks leerde klarinet te spelen in deze levensfase en reflecteerde op de uitkomsten van eerder onderzoek naar muziekbeoefening door volwassenen en de rol van oefening daarbij. Zij relateert deze onderzoeksbevindingen aan haar eigen vertrekpunt en ervaringen. Ze gebruikt hierbij onder meer de uitkomsten van literatuuronderzoek uitgevoerd door Peter Mak naar de versnelling van het uitvoeringstempo voor oudere instrumentalisten, dat deel uitmaakte het lectoraatsonderzoek naar ouderen en muziek.

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Een instrument (leren) bespelen? Hoe oud je ook bent: oefenen moet je toch!

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Expanding career options

The musical landscape in Europe shows a complex picture. Societal change leads to change in the careers of artists. We see an increasing number of unstable jobs in the music profession. It no longer offers many opportunities for full-time, long-term contract work, but is often more project-based, calling on musicians to contribute on a sporadic basis or for specific activities. Many graduates employ themselves as freelance artists.Rarely employed in one job for life, the musician is increasingly an entrepreneur having a portfolio career, comprising simultaneous or successive, brief or part-time periods of employment in different areas of the music profession. Having a portfolio career does not mean that a musician is not employable; rather this reality reflects societal change and also creates, sometimes exciting, challenges. Exact figures of musicians holding a portfolio career are not known. We may assume that the increase of portfolio careers is substantial through contacts held with alumni and alumni research carried out by a number of European conservatories.Holding a portfolio career with overlapping activities in the broad professionalpractice requires the musician to have many roles at the same time

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Adapting a capacity-development-in-higher-education project

In November 2019, scholars and practitioners from ten higher education institutions celebrated the launch of the iKudu project. This project, co-funded by Erasmus [1], focuses on capacity development for curriculum transformation through internationalisation and development of Collaborative Online International Learning (COIL) virtual exchange. Detailed plans for 2020 were discussed including a series of site visits and face-to-face training. However, the realities of the COVID-19 pandemic disrupted the plans in ways that could not have been foreseen and new ways of thinking and doing came to the fore. Writing from an insider perspective as project partners, in this paper we draw from appreciative inquiry, using a metaphor of a mosaic as our identity, to first provide the background on the iKudu project before sharing the impact of the pandemic on the project’s adapted approach. We then discuss how alongside the focus of iKudu in the delivery of an internationalised and transformed curriculum using COIL, we have, by our very approach as project partners, adopted the principles of COIL exchange. A positive impact of the pandemic was that COIL offered a consciousness raising activity, which we suggest could be used more broadly in order to help academics think about international research practice partnerships, and, as in our situation, how internationalised and decolonised curriculum practices might be approached. 1. KA2 Erasmus+ Cooperation for innovation and the exchange of good practices (capacity building in the field of Higher Education)

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Adapting a capacity-development-in-higher-education project

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Higher Education and Wicked Problems

The challenges we collectively face, such as climate change, are characterized by more complexity, interdependence, and dynamism than is common for educational practice. This presents a challenge for (university) education. These transition challenges are often described as wicked or VUCA (Volatile, Uncertain, Complex, and Ambiguous) problems. In response, educational innovations that are inspired by ecology such as living labs are starting to emerge, but little is known about how learners engage within and with these more ecological forms of education. This work is an exploratory study into how learners navigate VUCA learning environments linked to tackling sustainability transition challenges, with a focus on the positive qualities of these experiences. This is done through interpretative phenomenological analysis (IPA) of seven students (using semi-structured interviews) of the MSC Metropolitan Analysis, Design and Engineering program, a joint degree from Wageningen University and Delft University of Technology in the Netherlands. The main findings, which are both psychological and educational, of this exploration include openness to new experiences (1), flexibility (2), a process appreciation of learning (3), a desire to create a positive impact on one’s direct biophysical environment (4) and society (5). In addition, we discuss the potential limitations of the malleability of these different qualities and propose future avenues for research into ecological learning for universities. This work closes by highlighting recommendations for educators to consider when designing or engaging in ecological forms of higher education that connect students to sustainability transitions.

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A health agenda in terms of a learning context

The main focus of this article is on performance anxiety and stage fright in musicians, seen through the lens of biographical research. In short, biographical research deals with research into learning, taking as point of departure that important learning always needs to be understood in relation to the biography of the learner (Alheit 2009, p. 116). Within biographical learning people can act as their own change agents. This article discusses biographical findings on musicians’ generic leadership when coping with profession-related health issues and the transformative and transitional learning evolving from this.

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Musicians’ profession-related health issues and their evolving transformative learning through biography

Within a study on ‘musicians as lifelong learners’, explorative biographical research was used. When analysing the learning biographies informed by grounded theory, the emergence of profession-related health issues was striking. More than half of the portrayed musicians suffered from both physical and psychological problems, the latter mostly consisting of performance anxiety (stage fright), which was often connected to low self-esteem.However creative coping strategies were also frequently found by the musicians, showing their extensive use of metacognitive skills. This paper addresses the coping strategies found and relates it to musicians’ transformative learning.

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Musicians’ profession-related health issues and their evolving transformative learning through biography

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Musicians working in community contexts

This paper will explore types of learning, which takes place when musicians work in situations where they have to connect to community contexts.It will first address musicians’ changing professional roles in the changing sociocultural landscape and the need for lifelong learning and emergence of life wide learning which this brings about. It will then go into the rise of the ‘community musician’ and the leadership this requires to exercise, illuminated through an exampleof musicians working with people living with dementia and their care staff.Based on this example perspectives of these musicians’ learning are discussed, where especially transformative learning, where the musician needs to change her frame of reference (Mezirow) and transitional learning, brought about by small changes in musicians’ life world and biography, seem at stake.Keynote address: Royal College of Music in Stockholm: symposium titled: Students' ownership of learning: a meeting place for teachers and students in higher music education,15-17 September 2010

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Lifelong and lifewide learning from a biographical perspective

This article describes musicians' lifelong and lifewide learning as it was investigated through biographical research. Key developments in the professional lives of 32 musicians were examined, focusing on critical incidents and educational interventions in their life, educational and career span. The main thread was the question of how these musicians learn. After analysis, three conceptual entities were established in the biographies, the first being musicians' artistic, generic and educational leadership; second, the interconnection between their varied learning styles; and third, their need for an adaptive and responsive learning environment within a reflexive and reflective institutional culture. Two biographical examples of musicians suffering from performance anxiety are described, focusing on their leadership, learning styles and subsequent transformative and transitional learning when developing coping strategies. The article concludes with directions for teaching and learning that can be extrapolated from the findings of biographical research.

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Producten 12

Musicians as lifelong learners

Een instrument (leren) bespelen? Hoe oud je ook bent: oefenen moet je toch!

Expanding career options

Adapting a capacity-development-in-higher-education project

Higher Education and Wicked Problems

A health agenda in terms of a learning context

Musicians’ profession-related health issues and their evolving transformative learning through biography

Musicians working in community contexts

Lifelong and lifewide learning from a biographical perspective

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Producten 12

Musicians as lifelong learners

Een instrument (leren) bespelen? Hoe oud je ook bent: oefenen moet je toch!

Expanding career options

Adapting a capacity-development-in-higher-education project

Higher Education and Wicked Problems

A health agenda in terms of a learning context

Musicians’ profession-related health issues and their evolving transformative learning through biography

Musicians working in community contexts

Lifelong and lifewide learning from a biographical perspective