Zoekresultaten

Life Cycle Assessment of PHA biobased festival cup

Worldwide, plastic cups are used for serving drinks. Some typical examples of large-scale consumption are large concerts and festivals. As a part of the BIOCAS project, which focusses on the valorization of biomass through various routes, a PHA biobased festival cup was developed and created to reduce the impact of current fossil plastics. The role of VHL was to assess the environmental impact. The aim of the report is to inform the BIOCAS-partners about the use of plastic cups, and address the environmental impact in comparison with other types of biobased plastic cups and fossil-based cups. This report can serve as a basis for making choices within all different types of (plastic/biobased) cups. Besides, it can be used as a public communication tool about the environmental impact of different types of (plastic/biobased) cup applications.

Eventful cities as global innovation catalysts: The Sónar Festival network

As the economy becomes more globalized, a growing number of events are exerting an influence on activity and innovation globally in different fields. Therefore, we argue that "eventful cities" can act as important catalysts for eventfulness in other places as well. This article analyzes the case of the Sónar electronic music festival, an event that originated in Barcelona, Spain, but which now runs different editions in many cities worldwide. This empirical study of the innovation capacity of a cultural event examines how a locally based music festival has transformed itself by using the global "space of flows" to influence the local "space of places." The Sónar Festival has turned itself into a relational hub in a global cultural network, using stylistic innovations to link geographically dispersed nodes in order to create new products, open up new markets, and strengthen its own position as a global source of eventfulness.

Why do we go to festivals?

Event management literature: Exploring the missing body of knowledge.

English is increasingly the dominant language of academic scholarship. This means that much research produced in other languages is overlooked, a tendency strengthened by the growing power of global publishers and university ranking systems. This initial scoping study provides an exploratory review of non-English scholarship in the field of event management, drawing on an extensive literature search in Arabic, Croatian, Czech, Dutch, Italian, Portuguese, Slovenian and Spanish. We find a considerable number of event management publications in these languages, which effectively represent a ‘missing body of knowledge’ for scholars working in English. Only about 10% of these non-English sources are covered by Scopus, for example. Our scoping study indicates that this excludes many scholars and potentially interesting areas of work from the global event management corpus. We suggest several strategies which could be employed to address these issues.

Creating knowledge spillovers through knowledge based festivals: the case of Mantua

This paper attempts to extend the analysis of event effects by analysing the knowledge creation role of an Italian literary festival, the Festivaletteratura in Mantua. The festival uses its local network, consisting of cultural organisations, local firms, festival volunteers and civic organisations to develop and disseminate knowledge. This is linked to an (inter)national network of creative actors, including creative entrepreneurs and festival (ex) volunteers who help to focus attention on the event. The combination of the locally embedded network and an extensive international network are key to the development of the festival as a knowledge hub. In the analysis of such knowledge-based festivals, it is important to shift our focus from events as a happening at a specific moment in time, to their more permanent role as a creative hub embedded in a regional context.

Festivals are joining the green movement