De titel van het boek Van meme tot mainstream: internetkunst, esthetiek en offline luxe in een postdigitale wereld, verwijst naar een van de meest karakteristieke eigenschappen van onze tijd: de kracht van het internet die ervoor zorgt dat iets in een fractie van een seconde de wereld over kan gaan en alle aandacht op zich weet te vestigen, om vervolgens net zo snel weer te verdwijnen in het digitale universum. Deze viraliteit is een eigenschap die onze huidige westerse samenleving, kunst en cultuur sterk beïnvloedt. Van internetkunst post-internet, het onderzoeksproject The New Aesthetic, tot de laatste ‘offline als luxe’-trend. In Van meme tot mainstreamneemt Nadine Roestenburg je mee in haar gedachten, verbazing, fascinaties en ontdekkingen die voortkomen uit persoonlijke ervaringen, observaties en onderzoek. Volgens haar kunnen kunstenaars die zich bezighouden met (de impact van) het internet en digitale technologie ons nieuwe inzichten geven. De kunstenaars die worden besproken in Van meme tot mainstreamzoeken de grenzen op van de technologie, proberen de technologie te doorgronden of af te breken, om haar vervolgens op een andere manier weer in elkaar te zetten. Zij reflecteren op fenomenen waar we bewust, of onbewust, allemaal mee te maken hebben. Zij kunnen ons anders naar de wereld laten kijken. Nu de digitale revolutie voorbij is, is het tijd om terug te kijken op de veranderingen van de afgelopen jaren. En ruimte te creëren voor reflectie, waarin we kunnen beoordelen hoe we met onze technologieën om willen gaan en bedenken hoe we willen dat de technologieën er in de toekomst uit zullen zien.
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Purpose: This is a position paper describing the elements of an international framework for assistive techhnology provision that could guide the development of policies, systems and service delivery procedures across the world. It describes general requirements, quality criteria and possible approaches that may help to enhance the accessibility of affordable and high quality assistive technology solutions. Materials and methods: The paper is based on the experience of the authors, an analysis of the existing literature and the inputs from many colleagues in the field of assistive technology provision. It includes the results of discussions of an earlier version of the paper during an international conference on the topic in August 2017. Results and conclusion: The paper ends with the recommendation to develop an international standard for assistive technology provision. Such a standard can have a major impact on the accessibility of AT for people with disabilities. The paper outlines some the key elements to be included in a standard.
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It is argued that a mainstream area that has become unpleasant is rejected by some and protected by others. Both poles, the renegades and the fanatical stragglers, grew out of the same discontent, although the polarized stayers are strongly identified with the in between. This creates the blind spot, the gap, and the in between is disregarded. Let the third and largest group live there, the indifferent, the people who think it is all right. They see both the change minded and the conservatives as somewhat polarized.
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Size measurement plays an essential role for micro-/nanoparticle characterization and property evaluation. Due to high costs, complex operation or resolution limit, conventional characterization techniques cannot satisfy the growing demand of routine size measurements in various industry sectors and research departments, e.g., pharmaceuticals, nanomaterials and food industry etc. Together with start-up SeeNano and other partners, we will develop a portable compact device to measure particle size based on particle-impact electrochemical sensing technology. The main task in this project is to extend the measurement range for particles with diameters ranging from 20 nm to 20 um and to validate this technology with realistic samples from various application areas. In this project a new electrode chip will be designed and fabricated. It will result in a workable prototype including new UMEs (ultra-micro electrode), showing that particle sizing can be achieved on a compact portable device with full measuring range. Following experimental testing with calibrated particles, a reliable calibration model will be built up for full range measurement. In a further step, samples from partners or potential customers will be tested on the device to evaluate the application feasibility. The results will be validated by high-resolution and mainstream sizing techniques such as scanning electron microscopy (SEM), dynamic light scattering (DLS) and Coulter counter.
Fungal colorants offer a sustainable alternative to synthetic colors, which are derived from fossil fuels and contribute to environmental pollution. While fungal colorants could be effectively produced through precision fermentation by microorganisms, their adoption in industry remains limited due to challenges in processing, formulation, and application. ColorFun aims to bridge the gap between laboratory research, artisanal practices, and industrial needs by developing a scalable and adaptable colorant processing system. Building on the TUFUCOL project, which focused on optimizing fungal fermentation, ColorFun consortium gears the focus to downstream processing and industrial applications by using green chemistry. Many SMEs have explored fungal colorants using traditional methods, but due to lack of consistency and reproducibility, they are unsuitable for large-scale production. Meanwhile, lab research usually does not translate directly to industrial applications. Researchers can fine-tune processes under controlled conditions while large-scale production requires consistent formulations that work across different material substrates and processing environments. Without bridging these gaps, fungal colorants remain confined to research and small-scale applications rather than becoming viable industrial alternatives. Instead of developing separate solutions for each sector, ColorFun is working towards a set of standardized extraction and stabilization methods for a stable base colorant product. This pre-processed colorant can then be adjusted by different industries to meet their specific needs. This approach ensures both efficiency in production and flexibility in application. Professionals will collaborate in a test-improve-test circle, ColorFun will refine these formulations to ensure they work in real-world conditions. Students will be involved in the project, contributing to curriculum developments in biotechnology, chemistry, and materials science. Combining efforts, ColorFun lowers the barriers aiding fungal colorants to become a mainstream alternative to synthetic feedstocks. By making these colorants scientifically validated, industrially viable, and commercially adaptable, the project helps accelerate the transition to sustainable color solutions and circular economy.
This PD project explores alternative approaches to audiovisual technologies in art and creative practices by reimagining and reinventing marginalized and decommodified devices through Media Archaeology, artistic experimentation, and hands-on technical reinvention. This research employs Media Archaeology to uncover “obsolete” yet artistically relevant technologies and hands-on technical reinvention to adapt these tools for contemporary creative practices. It seeks to develop experimental self-built devices that critically engage with media materiality, exploring alternative aesthetic possibilities through practice-based investigations into the cultural and historical dimensions of media technologies. These developments provide artists with new creative possibilities beyond mainstream commercial standardized tools and infrastructures. A key component of this project is collaborative innovation with artist-run analog film communities, such as Filmwerkplaats. By fostering knowledge exchange and artistic experimentation, this research ensures that reinvented tools remain relevant to both analog film communities and contemporary media art practices. The intended outcomes directly benefit two key groups: • Artist-run film labs gain sustainable methods for evolving their practices, reducing dependence on scarce, out-of-production equipment. • Digital-native artists are introduced to alternative methods for engaging with analog processes and media materiality, expanding their creative toolkit. This collaboration also strengthens art and design education by embedding alternative technological perspectives and research methodologies into curricula, providing students and practitioners with resourceful, sustainable approaches to working with technology. It advocates for a more diverse educational paradigm that incorporates media-technological history and critical reflection on the ideologies of linear technological progress. Ultimately, this research fosters critical discourse on media culture, challenges the dominance of corporate proprietary systems, and promotes innovation, redefining the relationship between creativity and technology.
