Renewable energy is often suggested as a possible solution for reducing greenhouse gas emissions and decreasing dependency on fossil energy sources. The most readily available renewable energy sources in Europe, wind, solar and biomass are dispersed by nature, making them ideally suited for use within Decentralized Energy Systems. Decentralized energy grids can help integrate renewable production, short lived by-products e.g. heat, minimize transport of energy carriers and fuel sources and reduce the dependency on fossils, hence, possibly improving the overall efficiency and sustainability of the energy distribution system. Within these grids balance between local renewable production and local energy demand is an important subject. Currently, fluctuations between demand and production of energy are mainly balanced by input from conventional power stations, which operate on storable fossil energy sources e.g. coal, oil, natural gas and nuclear. Within the long term scope of transition towards a low carbon intensive energy system, sustainable systems must be found which can replace fossil energy sources as load balancer in our energy supply systems.
In zijn inaugurele rede gaat Bert Plomp in op het belang van praktijkgericht onderzoek voor de verdere ontwikkeling en implementatie van zonnestroom en op het gebruik van zonnestroom voor schoon en stil vervoer en mobiliteit. Ook de ambities van het lectoraat en de hoofdlijnen en speerpunten van het onderzoek komen aan bod en de relaties met het onderwijs, het regionale bedrijfsleven en lopende projecten
This paper aims to extend dark tourism scholarship concerned with existential aspects of the human nature and the power of ‘dark places’ to provoke our thinking about the meaning and purpose of human existence. Our main focus is on the artistic expressions in the form of murals that have emerged in the years following the nuclear disaster in Chernobyl, questioning the significance and meanings they have for the Chernobyl Exclusion Zone, in the context of tourists' perceptions and, more generally, in the context of our being in the world. To that end, we deconstruct the tourist experience of dark sites through knitting together dark tourism, existentialism and street art.
