Photography’s modern day quest was the reason for the research group Image in Context to start up a centre of expertise in which the insights ofphotographers and artists concerning this problematic status of photography can be brought together and studied. This centre of expertise PRICCAPractice (PhotographicResearch in Cross-disciplinary and Cross-cultural Artistic Practices) conducts researchinto the way in which professional photography is reinventing itself. It is aimed at theartistic research practices of artists, designers and photographers into the status ofphotography in our society. The focus lies on newly developed methods concerningphotography as part of an interdisciplinary artistic (and critical) research practice;photography as a means of research to make reality visible again. For this reason it makes sense that photography should allow itself to be nourished and inspired by other reality seeking disciplines, such as sociology and anthropology. Based on her interest in processes which are socially meaningful, photography moreover connects itself with fields of study such as semiotics, cultural studies, art theory and philosophy. And in her forms of expression she learns from literature, theatre, and journalism as forms of representation. In other words, the centre of expertise researches how dimensions of reality in photography are made into problems in images which are not merely representations, but also a commentary on photography itself and which explore the narrative and communicative possibilities and limitations of the photographic image at the same time. We are looking for artistic research practices in which a new, authentic relationship between the photographic image and reality will be researched.In this paper I would like to present a few of these practices.
DOCUMENT
A reflection on the impact of Paul Julien's photographs in the form of a letter to him, part of the larger investigation into his legacy.
MULTIFILE
Background: Acquiring the theoretical and practical knowhow of conducting patient and public involvement (PPI) in research is not part of the traditional curriculum of researchers. Zuyd University of Applied Sciences and Huis voor de Zorg, a regional umbrella patient organization, therefore started a 1.5-year coaching programme. Objective: To establish a community of practice by developing a PPI coaching programme for senior and junior health services researchers of Zuyd University. The context consisted of research projects conducted by the participants. Methods: A participatory action research methodology. Data were collected from reports of thematic group meetings and individual sessions with participants, field notes and regular reflection meetings with the project team. Data were analysed by reflexive deliberation. Findings: The programme comprised a kick-off meeting (52 attendees), followed by 7 group meetings with 11 junior and 9 senior researchers. The project team constructed a serious game based on the concept of the participation ladder. Questions and concerns differed for junior and senior researchers, and separate tailored meetings were organized for both groups. Between group meetings, participants received individual assignments. Group meetings were accompanied by individual coaching sessions to provide tailor-made feedback. The programme concluded with a combined meeting with all stakeholders. Conclusion: Building a community of PPI practice through action research facilitates the development of a coaching programme that fosters social learning, empowerment and the development of a shared identity concerning PPI. The role and responsibilities of senior researchers should be distinguished from those of junior researchers.
DOCUMENT
PRICCAPractice (Photographic Research in Cross-disciplinary and Cross-cultural Artistic Practices) is an online platform aimed at the artistic research practices of artists, designers and photographers into the status of photography in our society. The focus lies on newly developed methods concerning photography as part of an interdisciplinary artistic (and critical) research practice. PRICCAPractice’s objective is to examine how photography as a means of research can make reality visible again, and wants to investigate various photographic dimensions of reality in images that are not merely representations but also a commentary on photography itself and that, at the same time, explore the narrative and communicative possibilities and limitations of the photographic image. We are looking for artistic research practices in which a new, authentic relationship between the photographic image and reality will be researched. Our aim is to give photography a new position within art education and the artistic practice. Next to photography’s representational power we want to focus on its numerous research possibilities.
