Inaugural lecture, delivered upon public acceptance of the endowed professorship in Professionalisation of Nursing and Care in Elderly Care by Prof. Dr. Robbert J.J. Gobbens at Tilburg University on 29 September 2023.
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In: Heimbrock, H. (Ed.). (2016). Taking position: Empirical studies and theoretical reflections on Religious Education and worldview. Waxmann.
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In: Heimbrock, H. (Ed.). (2016). Taking position: Empirical studies and theoretical reflections on Religious Education and worldview. Waxmann.
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Exploring Practical Knowledge investigates professional practices from a hermeneutic perspective. The book presents, discusses and applies notions such as practical knowledge, practical wisdom, tacit knowledge, and normativity to the professional lifeworld. These contributions focus on both specific practices and more general questions concerning theories and investigations of practice. This volume comes as the result of a cooperation of three research centres: The two Centres for Practical Knowledge in Bodø, Norway and in Södertörn, Sweden, as well as the Research Group Value-Oriented Professionalisation at the University of Applied Sciences in Utrecht, the Netherlands. It offers empirical studies of professionals as well as discussing the underlying theories, approaches and methods of exploring practical knowledge – including the limits to any articulation of these aspects of professional action. In contrast to the objectivist paradigm that otherwise dominates professional studies, each chapter presents central perspectives and possibilities drawing from humanistic and interdisciplinary research traditions. The book explores professions in a style accessible to scholars and practitioners alike. It is interesting for those studying practices within these professions and for vocational studies in education, social work, health care, police work, journalism, etc.
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In this chapter, we present a perspective on the professionalisation of students in higher vocational education, which relates their life orientation to professional and societal values and beliefs. In a teaching programme at HU UAS Utrecht, inspired by Biesta’s notion of a pedagogy of interruption, students are prompted to articulate personal answers to philosophical and existential questions about the good life and doing good work, to prepare them for becoming reflective professionals. The concept of life orientation primarily draws on the narrative philosophies of Ricoeur and Taylor. These two philosophers relate ethics to identity, and describe how answers to moral and existential questions are a part of identity formation. Dialogical Self Theory helps us to understand how personal values interfere with professional and societal beliefs. We present two cases about a critical professional situation which bring students to reflection, and show how students’ life orientations influence their professional decisions within different contexts.
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This article explores how schools can function as a pedagogical in-between space, or a pedagogical inter-space, and how lecturers can act professionally within this space, of which they themselves are also a part. Met een samenvatting in het Nederlands: De school als een ‘pedagogische tussenruimte’.
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At the end of January 2015 I was given a research assignment formulated and sponsored by two professors of professorships (hereafter lectoraten) associated with the Academy for Social Studies (SASS), and the manager of Professionals and Bedrijven (hereafter P&B). At a later stage, the research was expanded by the sponsorship of the educational managers of the bachelor and master studies of SPH and MWD. It is a complex assignment with several research perspectives and aims. The main goal was to find out how to make better use of the products of the lectoraten for educational purposes. This umbrella goal included many subordinate aims. One aim concerned identifying the products and prioritizing them according to the educational demands of clients in the field and of teachers of the SASS educational programmes. Another aim was to demonstrate which skills the teachers who develop educational materials need to have and to identify steps necessary to adapt the products. Yet another aim consisted of finding better ways for knowledge to circulate between the lectoraten and the teaching staff of SASS. Finally advising the staff of P & B on marketing and communications in relation to the products of the lectoraten was aimed at. Overview of the reportAs stated, there are multiple assignment-givers (hereafter sponsors). In the first section the general societal context which triggered the assignment has been sketched but contextual aspects related to each of the sponsors have also been identified (in Appendix 1). The individual contexts of sponsors were important because, although they agreed on the broad aims of the assignment, they naturally have specific expectations of the results based on their particular situations. After the background sketch, seven sub-tasks given by the sponsors have been turned into subordinate - research and consultation questions. The second section describes the methods used and measures taken to obtain findings. This includes an identification of the inventory structure, actors involved both intramurally and extramurally (the stakeholders). Next, a Delphi method for developing a profile of learner needs and a list of topics of products is described.In the third section, findings are set out in relation to the 7 sub-research and consultation questions. Some discussion and concluding remarks are given for most of the seven questions. The findings are written in English but most of the quotations from respondents have not been translated so they appear in Dutch. Section four summarises these findings in a compact manner since there were conclusions throughout the findings. Section five offers recommendations in Dutch. Attention is given to the different emphases of the sponsors in the details of recommendations. Please note that many end notes and appendices are offered for further reading since some of the approaches mentioned in the text may be unfamiliar to some readers. A word about terms Both Dutch and English employ a variety of terms to identify the provision (aanbod) of learning for adults in working environments and to identify the learning activities or programmes. This can be confusing but is, unfortunately, unavoidable. In Dutch, the terms ‘deskundigheidsbevordering, nascholing, bijscholing’ and ‘trainingsaanbod’ or occasionally ‘professionalisering’ are all used to indicate what in English is called ‘professional development’ (often abbreviated to PD) or ‘staff development’ or, recently, ‘professionalisation’ The typical Dutch use of the term ‘training’ for almost all stypes of learning activities has a somewhat more restricted meaning in English. Educational activities are often referred to as ‘learning trajectories’; ‘ learning opportunities’ or ‘interventions’ as well as, less commonly, ‘training sessions’ or ‘workshops’. All of the English terms are employed throughout this report. The most commonly used are ‘professionalisation’ or ‘PD’ for the provision and ‘interventions’ to indicate specific educational programmes or activities.
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The SUSTainable Artistic INnovation (SUSTAIN) project is a collaborative project between The Hague University of Applied Sciences and Avans University of Applied Sciences. The research was conducted by Jacco van Uden (professor Change Management) and Kim Caarls of The Hague University of Applied Sciences; and Godelieve Spaas (professor Common Economics), Olga Mink and Marga Rotteveel of Avans University of Applied Sciences. We also worked closely with six Spacemakers: Art Partner, Circus Andersom, Future of Work, In4Art, V2_ and Waag. SUSTAIN explores the role of Spacemakers: parties that want to contribute to systemic change by creating space for art in unusual places, such as within the economy, science or technology. The aim: to use art to work towards a sustainable and just society - ecologically, economically and socially. Expectations of what art can do in spheres other than the art world itself are sometimes high. For example, when we claim that art can be the engine of innovation and reflection. But experience shows: art is no panacea. Not everyone sees or recognises the added value of art in transition issues. And when art does come to the table, we do not always manage to make the disruption work. Artists explore the unknown, question what seems logical and connect seemingly disparate elements. It is precisely these qualities that are key to achieving systemic transitions. However, it is not always easy to access the spaces where artists want to make an impact. With this practical research, SUSTAIN offers more insight into the exact role, method and added value of Spacemakers in the transition to be made. The research and results contribute to the further professionalisation of this emerging sector. Just how Spacemaking practices are shaped by different organisations was examined: - Why do Spacemakers do what they do? - What do they see as the promise of art outside the arts? - How do they specifically go about making space for art? - How do Spacemakers deal with the tensions that arise when art gets involved in non-art matters and vice versa? - How do Spacemakers deal with the complicated question of the added value or impact of art and of themselves as space makers? SUSTAIN has produced two key outcomes: 1) The Spacemaker Toolbox, a practical tool for Spacemakers to explore and professionalise their work internally. It involves four models with instructions for use. 2) The Spacemaker Stories, a series of cahiers in which we look at Spacemaker practice from a distance and help Spacemakers articulate more clearly what they do, why they do it, how they do it and what value they create. The five cahiers are: The Calling (38 p.), The Promise of Art (39 p.), The Tension (49 p.), The Help (44 p.) and The Gift (30 p.).
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The SUSTainable Artistic INnovation (SUSTAIN) project is a collaborative project between The Hague University of Applied Sciences and Avans University of Applied Sciences. The research was conducted by Jacco van Uden (professor Change Management) and Kim Caarls of The Hague University of Applied Sciences; and Godelieve Spaas (professor Common Economics), Olga Mink and Marga Rotteveel of Avans University of Applied Sciences. We also worked closely with six Spacemakers: Art Partner, Circus Andersom, Future of Work, In4Art, V2_ and Waag. SUSTAIN explores the role of Spacemakers: parties that want to contribute to systemic change by creating space for art in unusual places, such as within the economy, science or technology. The aim: to use art to work towards a sustainable and just society - ecologically, economically and socially. Expectations of what art can do in spheres other than the art world itself are sometimes high. For example, when we claim that art can be the engine of innovation and reflection. But experience shows: art is no panacea. Not everyone sees or recognises the added value of art in transition issues. And when art does come to the table, we do not always manage to make the disruption work. Artists explore the unknown, question what seems logical and connect seemingly disparate elements. It is precisely these qualities that are key to achieving systemic transitions. However, it is not always easy to access the spaces where artists want to make an impact. With this practical research, SUSTAIN offers more insight into the exact role, method and added value of Spacemakers in the transition to be made. The research and results contribute to the further professionalisation of this emerging sector. Just how Spacemaking practices are shaped by different organisations was examined: - Why do Spacemakers do what they do? - What do they see as the promise of art outside the arts? - How do they specifically go about making space for art? - How do Spacemakers deal with the tensions that arise when art gets involved in non-art matters and vice versa? - How do Spacemakers deal with the complicated question of the added value or impact of art and of themselves as space makers? SUSTAIN has produced two key outcomes: 1) The Spacemaker Toolbox, a practical tool for Spacemakers to explore and professionalise their work internally. It involves four models with instructions for use. 2) The Spacemaker Stories, a series of cahiers in which we look at Spacemaker practice from a distance and help Spacemakers articulate more clearly what they do, why they do it, how they do it and what value they create. The five cahiers are: The Calling (38 p.), The Promise of Art (39 p.), The Tension (49 p.), The Help (44 p.) and The Gift (30 p.).
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PurposeThe purpose of this study is to see how a more developed discipline – corporate real estate management (CREM) – can add value to a less developed discipline – municipal real estate management (MREM) – to contribute to their professionalisation. Design/methodology/approachEvery year since 2008 (except for 2013), municipalities have been asked to complete a questionnaire on how they manage their real estate. With these results, it is possible to perform quantitative analyses on both trends and the current situation. In addition, municipalities’ descriptions of their real estate management have been analysed in a qualitative way. FindingsMunicipalities are concentrating their real estate tasks in the municipal organisation to link their real estate, their policies and the citizens/tenants. Remarkable is the diversity of the functions and the broad definition of “the real estate employee” (organisational structure). Municipalities make strategic and organisational changes that aim to improve both the real estate portfolio and the municipal organisation (operations). The next years, municipalities will focus in particular on vacancy rates, organisation design, collaboration, ownership and the sustainability of the portfolio (direction). Originality/valueQualitative and quantitative research are combined to compare theory with practice on CREM and MREM. The results contribute to the professionalisation of Dutch municipalities.
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