This article presents a social analysis and a spatial outline of this quarter. On the basis of two cross-sections it is possible to study the social and spatial effects of industrialisation on this neighbourhood. Petrus Regout founded glassworks and a pottery there in the 1830’s. The demographic pressure increased, the population rejuvenated, became more homogeneous (in occupations), was reduced to poverty (at least in housing) and was immobilized. The preindustrial labour market changes into an industrial one. The perspectives of employment at the Sphinx led to a crowding of people in increasingly miserable housing conditions. Further research into life-courses in context is needed to get answers to questions concerning generational (dis)continuity in culture of poverty
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We need mental and physical reference points. We need physical reference points such as signposts to show us which way to go, for example to the airport or the hospital, and we need reference points to show us where we are. Why? If you don’t know where you are, it’s quite a difficult job to find your way, thus landmarks and “lieux de memoire” play an important role in our lives.
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A new book on the work of Suriname-born Dutch artist Remy Jungerman (1959, Moengo Suriname). In his work artist Remy Jungerman searches for an autonomous visual language that does justice to the cultures of the countries that define him: Suriname, the Netherlands and the United States.Remy Jungerman. Behind the Forest focuses on his artistic output of the past fifteen years, including new work created especially for his eponymous solo-exhibition at the Stedelijk Museum Amsterdam.In his sculptures, panels, installations, collages and screen prints, Jungerman traces pathways of pattern and imagery from Maroon culture in Suriname, the African diaspora and 20th-Century modernism.The majority of this book comprises reproductions of his work that have not been published before. Behind the Forest is a welcome addition to Where the River Runs, published by Jap Sam Books in 2019.
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The project is for protecting valuable museum contents against seismic actions. Assessment and protection methods and equipment will be developed and tested. - Assessment methods for seismic safety of museum contents- Protective devices for the musem contentsA museum virtual exhibition room (MVER) will be created, it will contain exhibits such as sculptures and artefacts of different size and geometry, while the proposed experimental work will first examine the seismic behaviour of the test specimens without any protection system. The tests will be repeated using different protective configurations, emphasising on low-mass base isolation systems. Two new and highly efficient base isolation systems will be extensively tested for the first time. The first isolator is a pendulum-based system, while the second utilises shape-memory-alloy wires.The project will also develop and calibrate novel numerical models for single- and two- block rocking systems, while experimental and numerical results will be combined in order to develop quick overturning assessment criteria for the artefacts considered.The final task of the project will combine the shaking table experimental outcomes with numerical results using calibrated numerical models in order to develop fragility curves for museum artefacts.
