A presentation describing seven factors to consider during the writing process of micro-scripts (1-2 page screenplays) intended for virtual production filming. Topics include blocking, staging, camera movement, and other technical details, along with creative inspirations and using limitations as an advantage.
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This research paper looks at a selection of science-fiction films and its connection with the progression of the use of television, telephone and print media. It also analyzes statistical data obtained from a questionnaire conducted by the research group regarding the use of communication media.
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Light shine glimmer - Leak spill shimmer is an exhibition that ecologically connects the relationship between technology and humans using analog devices. The exhibition is a collaborative project by Luuk Schroder (the Netherlands), Lucy Cordes Engelman (the Netherlands/USA), and Bea Haut (UK).The works in the exhibition take analog film, a medium little in use today, as its point of departure. It sets analog film as “a meeting place” and is interested in the way that a film screening functions as a place to meet. It creates an interconnected environment where you can directly feel and experience emotions which encompass non-visual senses, such as the haptic elements of analog films managed by hands and sounds transmitted through old media. An ecological environment is created in the process of touching, seeing, walking, and experiencing films with your body in the exhibition hall.
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This book is for the newcomer to the industry, the curious individual who loves storytelling. If you want to learn how to produce a complex short film project and all the people connected to it, then this guide is for you.The Creative Producer normally does not make the biggest headlines. Fame is more often than not, claimed by the Actor and Director of the film. But it is the Creative Producer who puts together the deals, finds the best possible talent for a project and facilitates an environment that allows the creative minds of cast crew to unfold.This is the true skill of the Creative Producer – find the story, get the best possible people involved and make sure they have everything they need to do their best
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This book is for the newcomer to the industry, the curious individual who loves storytelling. If you want to learn how to produce a complex short film project and all the people connected to it, then this guide is for you.The Creative Producer normally does not make the biggest headlines. Fame is more often than not, claimed by the Actor and Director of the film. But it is the Creative Producer who puts together the deals, finds the best possible talent for a project and facilitates an environment that allows the creative minds of cast crew to unfold.This is the true skill of the Creative Producer – find the story, get the best possible people involved and make sure they have everything they need to do their best
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This publication contains an overview of the main facts and figures on the production,distribution and exhibition of feature length films, documentaries, shorts and animated films in 2018 in the Netherlands. It is published annually by the Netherlands Film Fund.
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The installation shows Open Forest Collective’s ongoing investigation of feral ways of knowing, being, and living-with diverse more-than-human ecologies.On display are feral data artifacts such as woven sashes, multispecies tattoos, short dérive films, and an eel trap capturing environmental knowledge and cosmologies of various more-than-human habitats including Colombian chagras, Bohemian forests, Croatian wetlands, and the Gunditjmara Country.
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Medical imaging practice changed dramatically with the introduction of digital imaging. Although digital imaging has many advantages, it also has made it easier to delete images that are not of diagnostic quality. Mistakes in imaging—from improper patient positioning, patient movement during the examination, and selecting improper equipment—could go undetected when images are deleted. Such an approach would preclude a reject analysis from which valuable lessons could be learned. In the analog days of radiography, saving the rejected films and then analyzing them was common practice among radiographers. In principle, reject analysis can be carried out easier and with better tools (ie, software) in the digital era, provided that rejected images are stored for analysis. Reject analysis and the subsequent lessons learned could reduce the number of repeat images, thus reducing imaging costs and decreasing patient exposure to radiation. The purpose of this study, which was conducted by order of the Dutch Healthcare Inspectorate, was to investigate whether hospitals in the Netherlands store and analyze failed imaging and, if so, to identify the tools used to analyze those images.
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The installation presents our ongoing investigation of feral ways of knowing, being, and living-with diverse more-than-human ecologies. On display are feral data artifacts such as woven sashes, multispecies tattoos, short dérive films, and an eel trap, all which speak of environmental knowledge and cosmologies in various more-than-human habitats including Colombian chagras, Bohemian forest, Croatian wetlands, and the Gunditjmara Country. Participants are invited to spend time with the artifacts and delve into the stories – of feral relationships and care as well as power and structural inequalities – that they weave together.
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