The paper summarizes two models for engineering education, as discussed in earlier papers. The first model (Corporate Curriculum) aims to bring Industry into the school, while the second model (I3) intends to bring the school into Industry. The contribution of the presented models to the Bologna Declaration and to the Renaissance Engineer idea are discussed.
DOCUMENT
Jan Van der Noot (c.1540-c.1601) is a central figure in Dutch literature, widely regarded as the first true Renaissance poet in the Netherlands. He was the earliest Dutch poet to imitate Ronsard, Baïf, and Petrarch, and the first to use the sonnetform. Van der Noot also has vital links with sixteenth-century England and English literature. While living in London (1567-72), he produced the source-text for Spenser and Roest's Theatre of Voluptuous Worldlings. Yet despite this contribution, he is frequently overlooked by English-speaking critics. Even when he does receive consideration, he is seldom viewed as a poet in his own right. As an attempt to redress this, we offer here fresh translations from Van der Noot's work, lightly annotated throughout, concentrating on the sonnets that are the lynchpin of his reputation.
DOCUMENT
Globalization was supposed to connect people, but instead ended up connecting the powerful. Local news is rapidly disappearing and leaving crucial stories unreported, communities unrepresented and disconnected, a side-effect of digitalization and the ownership concentration in media markets. But local and hyperlocal media play an important role in sustaining robust and resilient regimes of public service. In an age of technological changes and political pressure, niche publications and a renaissance of zines lead the quest for new, sustainable models in publishing.In the second instalment of the special edition Eurozine podcast series, produced by Talk Eastern Europe, Eurozine editor-in-chief Réka Kinga Papp talks media models old and new with Rachael Jolley, editor of Index on Censorship and philosopher Miriam Rasch of the Institute of Network Cultures.
MULTIFILE
Een kleine 40 jaar geleden onderging de bouw een ware revolutie. De seriematige productie van cascos werd tot kunst verheven. Kern van deze revolutie was een tot in detail doordachte organisatie van het werk op de bouwplaats. En, conform het aloude adagio meten is weten, was dat weer gebaseerd op gedegen arbeidskundige metingen op de bouwplaats. De productiviteit op de bouwplaats benaderde het theoretisch optimum. Inmiddels lijkt die kennis te zijn verdampt. De arbeidsproductiviteit ligt momenteel op veel bouwplaatsen onder de 50%! We moeten over het primaire proces weer gestructureerd kennis gaan opbouwen!
DOCUMENT
Frans van der Reep widmete sich im ersten Teil seines Kommentars (KM Magazin, Nr. 90, Juni 2014) den überraschenden Parallelen zwischen dem digitalen Heute und dem weit entfernten, mittelalterlichen Gestern. In dieser Ausgabe setzt er dies fort und führt die Gedankenkette hin zu den Ähnlichkeiten der gravierenden gesellschaftlichen Entwicklungen der beiden Zeitalter.
DOCUMENT
Man kann das Heute mit keiner Zeit vorher vergleichen? Zu schnell sind die Veränderungen, zu gravierend die technologischen Möglichkeiten der Digitalisierung, des Internets? Frans van der Reep nähert sich in vielen überraschenden Parallelen in der gesellschaftlichen Entwicklung dem Gestern und Heute.
DOCUMENT
Although digital technologies promised a renaissance in the publishing industries, publishers still struggle with digital innovations and try to hold on to traditional workflows, production, form and business models. How can we open-up this top-down mode of communication? In this episode we discuss the future of (digital) publishing through interviews with Janneke Adema, Michael Dieter, Morehshin Allahyari and Daniel Rourke. How to approach the act of publishing (digital) in the postdigital age? What happens when we approach the book as an apparatus and what does that mean for the book as we know it? What does is mean for the notion of the author and the reader when we perform the book differently?
MULTIFILE
Two models for engineering education that may answer the needs for "Renaissance Engineers" are described in this paper. They were the outcome of an educational renewal project, funded by the Dutch Ministry of Education and industrial companies. The first model (Corporate Curriculum) aims to bring Industry into the school, while the second model (I3) intends to bring the school into Industry. Both models have in common the ambition to educate students in an innovative, interdisciplinary and international oriented way (the 3 I s). This paper focuses on the two models, the different ways of implementation in the Fontys technology Institutes, the changes and improvements that have been made to the models, as well as the results of the educational experiments. The final results of the educational renewal project and the experiences with both models are presented here. Those experiences are very useful for developing new educational means for the future engineers in order to meet the fast developments of modern society.
DOCUMENT
Recent collection display practices signal what has been described as a “comeback” for the integration of broad-ranging object categories in which the boundaries between these previously separated objects resolve.Mixing objects from different object categories can take many forms, and occurs not only at the level of the objects themselves, but also at institutional levels. For categories such as painting, drawing, and applied arts, or the subcategories within, such as Renaissance drawings, porcelain, or twentieth-century art, are akin to the divisions in curatorial departments, galleries, or exhibition spaces and the people that work within them. Also, museums that were initially not “disciplined” have been re-staged to reflect the originally mixed display, such as the Bode Museum, Berlin. Moreover, even in homogenous collections, a mixing of value and status becomes possible when chronology, subject matter, style, or school are not the guiding principle. Such display strategies of mixing therefore typically create new connections and enable collections of varying values, periods, and object categories to merge and their individual artifacts to meet in new and meaningful ways
LINK
