Er wordt veel gediscussieerd over ‘discipline in de beeldende kunst’. Maar wat verstaan we er precies onder? Geen term die zoveel verwarring sticht. Zelfs binnen een multidisciplinair instituut als de FHK lijkt er geen eenduidige interpretatie te bestaan.
LINK
This article discusses a study of children's perspectives on disciplinary conflicts with their foster parents. Most children accept parental authority, but they also defend their personal autonomy and loyalties to peers. In this study, only birthchildren told real-life stories about fierce resistance to get their own way. Fierce resistance among foster children was motivated by inner conflicts and confusion. Obedience among foster children often derived from fear of punishment or a feeling of impotence. The authors discuss the theoretical and pedagogical implications of these findings.
LINK
Presentation addressing the following questions: When you talk to your colleagues/lecturers/academic programmes, what do they tell you? What does research tell us about lecturers & their (dis)engagement with internationalisation?
DOCUMENT
Een prikkelende en overrompelende brainstorm waarin het belang van (de) discipline in het beeldend onderwijs vanuit verschillende invalshoeken wordt bekeken en getaxeerd.
DOCUMENT
Wie er een Latijns woordenboek op naslaat vindt vier verschillende betekenissen: van ‘onderwijs’ tot ‘tucht’ en ‘orde’. Van Dale draait de volgorde om: het begint met ‘tucht en boetedoening’ en eindigt met ‘tak van wetenschap en kunst’. Wat twintig eeuwen christendom al niet teweeg hebben gebracht. Om licht te brengen in deze ingewikkelde semantische kwestie, is lector en kunstsocioloog Pascal Gielen bereid gevonden voor het Cahier ABV een verklarend Lexicon samen te stellen over het begrip discipline, in combinatie (‘copulatie’) met een aantal voorvoegsels.
DOCUMENT
This article is about the Virtual Reality-Head Mounted Display (VR-HMD) as a model for contemporary ways of disciplining. The VR-HMD makes the observer discipline herself through the triggering of performance. Through specific strategies the VR-HMD addresses the body of the observer to perform in the mixed reality that is constructed in the interaction between the body and the VR-HMD. These strategies consist of approaches by the hardware developers and content creators to manage the subjectivity and visuality of the observer. Today’s body is not disciplined through formatted technics of the VR-HMD, but through self-disciplining of the observer’s active performance. This article will unravel the strategies within the game The Elder Scrolls V: Skyrim VR on the Playstation VR that are used to control the visuality and subjectivity. Through her interaction in the game the observer also becomes aware of her body and the ways that it is disciplined in. In the end, this article will argue that the VR-HMD should not only be understood as a strategic device that can discipline a neoliberal subject, but that the VR-HMD is a supercomplex intervention that could help us to become more corporeal literate of our bodies in the age of digital media.
LINK
According to a recent manifesto titled Manifest Nederlands op School, the secondary school subject Dutch Language and Literature is incoherent, unchallenging and unscientific. In order to solve this problem, the school subject should strive to reach levels of conscious language proficiency (‘bewuste taalvaardigheid’), for example by drawing on insights from the related academic discipline. By doing so, the school subject and the discipline of Dutch Language and Literature (‘neerlandistiek’) could engage in a perspective of cooperation. There have been several proposals for ways of achieving both a more conscious level of language proficiency as well as the subsequent state of cooperation. One such proposal argues that scientific insights fostered from classical rhetoric could well be used to achieve conscious writing proficiency (Jansen 2016). However, empirical evidence to support this claim is lacking. Therefore, in this exploratory study, we investigated Jansen’s assertion by looking at the effect lessons based on classical rhetoric have on secondary school pupil’s use of tropes, such as irony or antithesis. We judged the quality of their tropes and additionally, we looked at whether or not pupils could use them consciously. Results support Jansen’s claim and reveal that classical rhetoric can indeed be used to achieve greater conscious proficiency in writing.
DOCUMENT
De Academie voor Facility Management aan de Haagse Hogeschool streeft naar excellent onderwijs. Onderdeel hiervan is een permanente vernieuwing van inhoud en vorm van het curriculum. Een voorbeeld van die vernieuwing is het 'Festival voor de Facilitaire film'; een opdracht waarbij studenten de resultaten van een facilitair onderzoek weergeven in een zelfgemaakte filmdocumentaire. Die documentaires worden tijdens een slotmanifestatie op De Haagse Hogeschool vertoond.
DOCUMENT
Previous bankruptcy is often seen as sign of poor entrepreneurial skills but few have examined whether renascent entrepreneurs actually perform worse or better upon reentering and how performance differences might be explained. Using a sample of 1,745 Dutch SMEs firms of which 67 were managed by renascent entrepreneurs this study examines potential differences in performance between renascent and other firms and explores to what extent this can be attributed to effects of the bankruptcy involvement on embeddedness, innovativeness, ambition and financial discipline. Non-parametric and multiple mediation analyses were conducted to test a set of hypotheses. Renascent entrepreneurs were found to show better sales level and were more innovative but also indicate more negative growth rates. Further, they show less financial discipline, but do not differ in their overall embeddedness and ambition levels. These mixed findings suggest that previous bankruptcy involvement is not necessarily a clear admission of failure.
DOCUMENT