Playful Mapping is the result of many years of joint enterprise in which we, as authors, devel-oped a close intellectual collaboration. As a book, it emerged towards the end of the ERC project Charting the Digital that ran from 2011-2016, and during a still-ongoing Erasmus+ project; Go Go Gozo. Over this five year period, members of the Playful Mapping Collective got to know each other as colleagues and friends, participating regularly in diverse academic and social activities, such as conference panels and workshops.1 The authorship of this book therefore reflects an interesting collaborative experiment, enrolling researchers who have been working together in an active way over the past half-decade. This preface explains the genealogy of the emerging and open collaboration through which we developed ideas
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In many learning spaces in higher professional education, students are required to do research. At the same time they, and many of their tutors, struggle with the doubt, the uncertainty and even the anxiety that often accompanies the research process. Research shows that uncertainty and safety (‘safe uncertainty’) play an important role in students’ experiences of the research process. In order to study this and to answer the question ‘how to cope with uncertainty during the research process?’, we have designed a tool called ‘research mapping’. In a workshop setting, research mapping visualizes first the research process and, secondly, the elements of safe uncertainty within. Subsequently, dialogue between the participants produces generalized insights in the research process and in the role of safe uncertainty in that process. Next to the benefits for students and tutors, also the learning space of doing research can be improved.
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Process Mining can roughly be defined as a data-driven approach to process management. The basic idea of process mining is to automatically distill and to visualize business processes using event logs from company IT-systems (e.g. ERP, WMS, CRM etc.) to identify specific areas for improvement at an operational level. An event log can be described as a database entry that signifies a specific action in a software application at a specific time. Simple examples of these actions are customer order entries, scanning an item in a warehouse, and registration of a patient for a hospital check-up.Process mining has gained popularity in the logistics domain in recent years because of three main reasons. Firstly, the logistics IT-systems' large and exponentially growing amounts of event data are being stored and provide detailed information on the history of logistics processes. Secondly, to outperform competitors, most organizations are searching for (new) ways to improve their logistics processes such as reducing costs and lead time. Thirdly, since the 1970s, the power of computers has grown at an astonishing rate. As such, the use of advance algorithms for business purposes, which requires a certain amount of computational power, have become more accessible.Before diving into Process Mining, this course will first discuss some basic concepts, theories, and methods regarding the visualization and improvement of business processes.
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Augmented Reality (AR) technologie is een vorm van mens-computer interactie waar de natuurlijke visuele waarneming van de mens wordt aangevuld met computer-gegenereerde informatie, zoals virtuele 3D modellen, aanwijzingen en teksten. Binnen het MKB in de maakindustrie is er grote interesse voor AR. Diverse maakbedrijven zijn geïnteresseerd in de mogelijkheden om met AR hun medewerkers te ondersteunen en/of te trainen en daarmee hun assemblageprocessen efficiënter uit te voeren, met een hogere kwaliteit en op een veilige manier. In dit project willen we het MKB ondersteunen met onderzoek naar mogelijkheden om AR in te zetten in assemblageprocessen. De technische mogelijkheden van AR ontwikkelen zich snel. Er zijn echter de nodige vragen bij de managers van MKB bedrijven: wat zijn huidige en toekomstige mogelijkheden van AR in de assemblage van producten? Wat betekent dit voor de inrichting en organisatie van de assemblage? Hoe ervaren werknemers ondersteuning met AR? In dit RAAK project zal met vijf inhoudelijke werkpakketten antwoord gegeven worden op deze vragen. Resultaten van het project zijn: (i) een aanpak voor het identificeren van kansen van AR in huidige assemblagesituaties, (ii) een aanpak voor het specificeren van een werkplek (of takenpakket) en de benodigde AR-ondersteuning, (iii) ontwerpprincipes (interface-richtlijnen) voor de ontwikkeling van AR-ondersteuning van medewerkers, (iv) een aantal demonstrators (3 of meer) die het ontwikkelen en gebruik van AR in de assemblage illustreren en (v) een (strategische) Roadmapping Methodologie voor het ontwikkelen van AR ondersteunde assemblage binnen een bedrijf. Hiermee wordt duidelijk hoe keuzes in de markt, de inrichting, de besturing en de organisatie van een bedrijf samenhangen met de keuze voor AR-technologie in de assemblage. De resultaten van het project zullen gebruikt worden door de bedrijfspartners in het project en breder uitgezet worden via de netwerken van de verschillende partners in het project. Resultaten zullen ook worden gebruikt in HBO-onderwijs en onderzoek. Het project sluit aan bij diverse initiatieven op het gebied van Smart Industry.
Within the framework of resource efficiency it is important to recycle and reusematerials, replace fossil fuel based products with bio-based alternatives and avoidthe use of toxic substances. New applications are being sought for locally grownbiomass. In the area of Groningen buildings need reinforcement to guarantee safetyfor its users, due to man-induced earthquakes. Plans are to combine the workneeded for reinforcement with the improvement of energy performance of thesebuildings. The idea is to use bio-based building materials, preferably grown andprocessed in the region.In this study it is investigated whether it is feasible to use Typha (a swap plant) as abasis for a bio-based insulation product. In order to start the activities necessary tofurther develop this idea into a commercial product and start a dedicated company,a number of important questions have to be answered in terms of feasibility. Thisstudy therefore aims at mapping economic, organisational and technical issues andassociated risks and possibilities. On the basis of these results a developmenttrajectory can be started to set up a dedicated supply chain with the appropriatepartners, research projects can be designed to develop the missing knowledge andthe required funding can be acquired.
Society continues to place an exaggerated emphasis on women's skins, judging the value of lives lived within, by the colour and condition of these surfaces. This artistic research will explore how the skin of a painting might unpack this site of judgement, highlight its objectification, and offer women alternative visualizations of their own sense of embodiment. This speculative renovation of traditional concepts of portrayal will explore how painting, as an aesthetic body whose material skin is both its surface and its inner content (its representations) can help us imagine our portrayal in a different way, focusing, not on what we look like to others, but on how we sense, touch, and experience. How might we visualise skin from its ghostly inner side? This feminist enquiry will unfold alongside archival research on The Ten Largest (1906-07), a painting series by Swedish Modernist Hilma af Klint. Initial findings suggest the artist was mapping traditional clothing designs into a spectral, painterly idea of a body in time. Fundamental methods research, and access to newly available Af Klint archives, will expand upon these roots in maps and women’s craft practices and explore them as political acts, linked to Swedish Life Reform, and knowingly sidestepping a non-inclusive art history. Blending archival study with a contemporary practice informed by eco-feminism is an approach to artistic research that re-vivifies an historical paradigm that seems remote today, but which may offer a new understanding of the past that allows us to also re-think our present. This mutuality, and Af Klint’s rhizomatic approach to image-making, will therefore also inform the pedagogical development of a Methods Research programme, as part of this post-doc. This will extend across MA and PhD study, and be further enriched by pedagogy research at Cal-Arts, Los Angeles, and Konstfack, Stockholm.
