This research paper looks at a selection of science-fiction films and its connection with the progression of the use of television, telephone and print media. It also analyzes statistical data obtained from a questionnaire conducted by the research group regarding the use of communication media.
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In: Frank Gadinger, Martina Kopf, Ayşem Mert, and Christopher Smith (eds.). Political Storytelling: From Fact to Fiction (Global Dialogues 12) This essay presents a summary of important perspectives concerning the distinction between what counts as truth or fiction. As a source of inspiration, it starts with two examples found in literature – the first a classical Spanish novel and the second a collection of stories written by the leader of a social movement in Mexico. These two examples of the conflictive relations between truth and fiction, authenticity and imagination serve as a source of inspiration for the rest of this article, which shows that this issue has been a subject of intense debate in philosophy and in the philosophy of science and still presents a challenge in the 21st century. The essay states that absolute, objective truth is a myth. It describes that what counts as ‘truth’ in a particular era, is, among other things, the result of power relations. It suggests productive ways to deal with this problem in modern society, through deliberative, emancipatory processes of reflexivity (Weick 1999), participatory research and dialogue, facilitating innovation and generation of new solutions.
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Short horror fiction. Emailing the company board, a top researcher explains a mysterious lab problem.
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Hoe kunnen lerarenopleidingen, pabo-studenten stimuleren om enthousiaste en belezen leesbevorderaars te worden? In dit onderzoek worden eigenschappen van pabo-studenten en de omgeving geïdentificeerd die invloed kunnen hebben op de leesfrequentie, leesattitude en kennis van kinderliteratuur. Daarnaast worden de leesfrequentie, leesattitude en kennis van kinderboeken bij pabo-studenten beschreven.
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All Gone is a series of experiments with AI that build on existing collections of climate fiction to create much-needed new climate imaginaries. As the climate crisis is also a “crisis of imagination” (Ghosh, 2016), this project turns to the art genre that is best at forecasting and imagining alternative futures: science fiction. Using collections of ‘cli-fi’ novels, in which science fiction meets natural disaster or heavy weather, algorithms are trained until they are able to render new climate imaginaries in textual and visual form. The edited texts and curated images are further developed into audio stories and a tarot deck as tools for reflection on present and future living with a changing climate.
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Information about a research study on how data science and artificial intelligence can contribute to modern education aimed at identifying and developing talents of students. De presentatie is gepubliceerd onder de titel: Future skills : and whre to find them?
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Short horror fiction. The heavy footsteps on the stairs were just the beginning.
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In dit boek worden computertoepassingen voor de sociaal-agogische beroepspraktijk beschreven die tot voor kort nog science-fiction leken, maar dat inmiddels niet meer zijn. Het gaat om bestaande applicaties, die echter maar sporadisch in de praktijk worden toegepast omdat velen in de beroepspraktijk (nog) niet van de mogelijkheden afweten. Dit boek wil dan ook een 'eye-opener' zijn en beschrijven wat er zoal in het beroep gebruikt wordt of gebruikt kan worden.
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This past summer, three Belgian intellectuals held a conversation for Open about the renewed attention to the 'makeability' of city and society. Moderated by sociologist Pascal Gielen, philosopher Lieven de Cauter, urban designer Michiel Dehaene and sociologist Rudi Laermans discuss such topics as the limits of the manufacturable society and the role of creativity and science in this.
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