Pokémon Go, Facebook check-ins, Google Maps, public transport apps and especially smartphone apps are increasingly becoming traceable and locatable. As ‘check-in’, features in social media and games grow in popularity they pinpoint users in relation to everything else in the network, making physical context an essential input for online interactions. But what are the practical consequences of the increased proliferation of devices that can determine our location? Could one say that surveillance is already taken for granted as we passively provide our coordinates to others?
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This contribution applies the research approach of issue mapping to the topic of inclusivity in fashion. Issue mapping concerns the cartography of urgent social topics, through digital and visual research methods. In this mapping, we turn to the online platform of Instagram and ask: what or who is included when fashion becomes inclusive? By querying the platform of Instagram (through the tool Crowdtangle) for the most-engaging posts on inclusive fashion for the timeframe of 2012-2021, we are able to study a developing online space to represent and discuss inclusivity and adjacent issues such as diversity in fashion. We find that inclusivity in fashion prioritizes customers and models over the fashion production workforce and foregrounds women over men and other gender identities. Since the beginning, inclusivity has called for different abilities and ethnicities. Still, it is not until 2020 that designers and models of color are front and center to the inclusive fashion space on Instagram.
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This special issue of Somatechnics: Journal of Bodies – Technologies – Power is an invitation to critically interrogate how our everyday technological, social, and embodied experience of organisation as a traveling concept (Bal 2002) and socio-material (Orlikowski 2007) production of reality, can generate new modes of organising and being and nonbeing organised. The articles in this special issue span across the humanities, social sciences, performing arts, and critical management studies, to trouble the concept of organisation by de-organising it and the manner in which it has traditionally been instrumentalised and put to use in modern-day organisational theory and practice. Somatechnics presents a thoroughly multi-disciplinary scholarship on the body, providing a space for research that critically engages with the ethico-political implications of a wide range of practices and techniques. The term ‘somatechnics’ indicates an approach to corporeality which considers it as always already bound up with a variety of technologies, techniques and technics, thus enabling an examination of the lived experiences engendered within a given context, and the effects that technologies, technés and techniques have on embodiment, subjectivity and sociality.
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