The premise for this paper is that tourism scholars researching in Israel and Palestine are, in effect, actors in the geopolitical landscape of the Holy Land. Political tourism is a significant factor in how the Israel–Palestine geopolitical conflict is represented. The current paper provides an analysis of how tourism academics address the situation. A research team of Israeli, Palestinian and a third country origins collaborated to produce a narrative synthesis by systematically reviewing 35 academic papers selected through defined criteria. This approach minimized bias and aimed for analytical robustness and validity. Two main conclusions are derived from the analysis. First, papers tend to focus on the social, touristic and religious aspects of tourism not on the core issues of the geopolitical conflict. Second, the works did not contribute to dialogue between parties but reinforced separateness thus reflecting the political conflict.
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The Nature Spectacle: On Images, Money, and Conservation Capitalism by Jim Igoe is, as its Preface states, an ambitious book that seeks to make connections between diverse times and places. The preface also, in many ways, tells more about the background and intention of the book than its chapters do, tying together the author’s origins and motivation. Igoe recalls his childhood in St. Louis, Missouri, much of which he spent “in front of a television and at a neighborhood movie theatre” (p. XII), once watching a musical, which was “essentially an extended Chevrolet commercial set among the geysers of Yellowstone” (P. 109). It is the mix of such absurd and comical observations of commercialism merging with Nature, and much heavier criticism of the capitalist cult of economic growth, development, and also conservation that characterizes The Nature of Spectacle. Much of Igoe’s outdoor experiences were shaped by green spaces, created in St. Louis as part of commodity exhibits at the 1904 World’s Fair. The author admits to feeling both critical and nostalgic of those places that have merged (sub)urban aesthetics with that of industrially developed commercial “spaces” (p. XII) – important concepts that form a leitmotif throughout the book. https://doi.org/10.1080/03066150.2018.1488355 https://www.linkedin.com/in/helenkopnina/
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