Biomimicry is an emerging discipline that seeks nature’s advice and brings diverse stakeholders together to create designs that emulate the way nature functions, not just the way it looks. The field itself is a multidisciplinary endeavor, yet biomimicry educators frequently work alone. Pedagogical methods based on trial and error may waste precious time. In this study, a set of four biomimicry experts from diverse disciplines and different areas around the globe collaborated to compare pedagogy and analyze student work to illuminate best principles for teaching students to translate biology into design solutions, a key step in the biomimicry design process. A total of 313 assignments created by 179 different students were evaluated. The results showed that the inclusion of art in the learning of science, namely the hand drawing of the biological mechanism can lead to higher quality of abstracted design principles. Stevens, L., Bidwell, D., Fehler, M., Singhal, A. (2022). The Art and Science of Biomimicry—Abstracting Design Principles from Nature. In: Rezaei, N. (eds) Transdisciplinarity. Integrated Science, vol 5. Springer, Cham. https://doi-org.ezproxy.hhs.nl/10.1007/978-3-030-94651-7_29
DOCUMENT
Arts-based environmental education (AEE) denotes an emerging field of pedagogy wherein facilitated art practice intersects with and informs learning about our natural and cultural environments. In it, artmaking is appreciated as a form of coming to knowledge, of making meaning, in its own right, on par with other approaches such as inquiry-based learning in the science classroom. In this article, the author, himself a practitioner, foregrounds two different orientations in learning about nature through art that he considers both as being expressive of AEE. The first one, here called “artful empiricism”, is more established and has its footings in “the Goethean approach”. Participants investigate natural phenomena through direct observation and experience of the world. This is then complemented by intuitive perception. Yet, for the most part, they are absorbed in what Dewey would call a receptive sense of “undergoing”. Aesthetic sensibility is foregrounded, encouraging participants to fine-tune their senses in order to perceive the phenomenon in nature with “fresh eyes”. The second orientation is hardly articulated as an epistemology yet. Here it is called “improvising with emerging properties” and it features an element of working with unforeseen properties that emerge in and through an artmaking process that thematises natural phenomena. It is intrinsically open-ended and an active “acting upon” the world takes centre stage. Through artmaking, participants explore the relationships between themselves and their environs. In his discussion, the author analyses these approaches as two modalities both expressive of a Deweyan cycle of alternating between a receptive undergoing of and active acting upon the world, in different phases of a reflective experience.
MULTIFILE
This article focuses on the role of the artistic process in connecting to the natural environment. In my research I have explored what participants experience and learn when they engage in different types of arts-based environmental education (AEE) practices that I have facilitated. The premise of AEE is that efforts to learn about our (natural) environment can effectively take their starting point in an artistic activity, usually conducted in groups. I found that, on the whole, two major orientations can be distinguished. One starts from the point of aesthetic sensibility: the tuning in with the senses, or with ‘a new organ of perception’ (Goethe), in order to perceive ‘the more than human’ with fresh new eyes. This tradition can be traced back (but is by no means limited) to the Romantic Movement. Art in this context may help to amplify the receptivity of the senses and strengthen a sense of connectedness to the natural world. The other major orientation in seeking bridges between nature and art builds on a view of artistic process as leading to unexpected outcomes and ‘emergent properties’. The fundamentally singular experience of making a work of art may evoke an aesthetic object that becomes a ‘self-sufficient, spiritually breathing subject’ (Kandinsky). The artwork can be spontaneously generative and multilayered with meanings, some of which may even be ambiguous and paradoxical. But perhaps more importantly: it can catch the participant of an AEE activity by surprise, overwhelm him or her as ‘coming from behind one’s back’. The element of improvisation, of taking in the new and unanticipated and accommodating for it, is the core quality here. These two orientations, when practiced as part of AEE, have implications on how we relate to nature through art. In the closing of this article I address the question of whether it is possible to bridge the dualism between the two orientations.
LINK
Aanleiding: De belangstelling voor gezonde en veilige voeding is groot. Bij de gezondheidseffecten van voeding spelen de darmen een cruciale rol. Verschillende soorten bedrijven hebben behoefte aan natuurgetrouwe testmodellen om de effecten van voeding op de darmen te bestuderen. Ze zijn vooral op zoek naar modellen waarvan de uitkomsten direct vertaalbaar zijn naar het doelorganisme (de mens of bijvoorbeeld het varken) en die niet gebruikmaken van kostbare en maatschappelijke beladen dierproeven. Doelstelling Het project 2-REAL-GUTS heeft als doel om twee innovatieve dierproefvrije darmmodellen geschikt te maken voor onderzoek naar voedingsconcepten en -ingrediënten. De twee darmmodellen die worden toegepast zijn darmorganoïden, minidarmorgaantjes bestaande uit stamcellen, en darmexplants bestaande uit hele stukjes darm verkregen uit relevante organismen. Beide modellen hebben potentieel heel uitgebreide toepassingsmogelijkheden en hebben ook grote voordelen ten opzichte van de huidige veelgebruikte cellijnen, omdat ze meerdere in de darm aanwezige celtypen bevatten en uit verschillende specifieke darmregio's te verkrijgen zijn. Gezamenlijk gaan de partners werken aan: 1) het aanpassen van de kweekomstandigheden zodat darmmodellen geschikt worden om de vragen van partners te beantwoorden; 2) het vaststellen van de toepassingsmogelijkheden van de darmmodellen door verschillende stoffen en producten te testen. Beoogde resultaten Kennisconferenties, publicaties en exploitatie van de modellen zullen zorgen voor het verspreiden van de opgedane kennis. Omdat het project gebruikmaakt van moderne, op de toekomst gerichte laboratoriumtechnieken (kweekmethoden met stamcellen en vitaal weefsel, moleculaire analyses en microscopie), leent het zich uitstekend om geïmplementeerd te worden in het hbo-onderwijs. Als spin-off zal het project dan ook voorzien in een specifieke, voor Nederland unieke hbo-minor op het gebied van stamcel- en aanverwante technologie (zoals organ-on-a-chiptechnologie).
De doelstelling van het project is het ontwikkelen van een breed gedragen basis voor samenwerking tussen de partners in het Living Lab Upper Citarum River Basin het opstellen van een breed gedragen Action Plan voor het toepassen van de beginselen van de circulaire economie als basis voor duurzame ontwikkeling van het Upper Citarum River Basin. In november 2016, heeft Hogeschool Van Hall Larenstein namens het Nederlandse Delta Platform een samenwerkingsovereenkomst ondertekend met University of Technology Bandung (ITB). Hiermee is de totstandkoming van het Living Lab Upper Citarum Basin officieel bekrachtigd. Daarnaast zijn ook andere partijen zoals Telkom University, de Radboud Universiteit en Deltares betrokken en wordt nadrukkelijk aandacht besteed aan de functie van springplank die het Living Lab mogelijk voor het Nederlandse MKB kan bieden. Vlak na de totstandkoming van het Living Lab is afgesproken dat het Living Lab zich zal gaan richten op duurzame ontwikkeling en waterbeheer, waarbij de principes van de circulaire economie als leidend principe zullen worden toegepast. Bovendien is afgesproken om gezamenlijk te werken aan de ontwikkeling van on-derwijsmateriaal. Met dit project zullen tijdens werksessies met de betrokken partners en stakeholders in Bandung de meest veelbelovende kernthema’s voor samenwerking worden geïdentificeerd en verder concreet worden gemaakt. Hiervoor is het noodzakelijk om de ketens van stofstromen in het Citarum River Basin inzichtelijk te maken en hierbij kansen te identificeren voor het Nederlandse bedrijfsleven (MKB). In eerste instantie wordt hierbij ge-dacht aan bouwen met bagger, bouwen met plastic afval, building with nature, drinkwatervoorziening, afwate-ring en afvalwaterzuivering.
The pace of technology advancements continues to accelerate, and impacts the nature of systems solutions along with significant effects on involved stakeholders and society. Design and engineering practices with tools and perspectives, need therefore to evolve in accordance to the developments that complex, sociotechnical innovation challenges pose. There is a need for engineers and designers that can utilize fitting methods and tools to fulfill the role of a changemaker. Recognized successful practices include interdisciplinary methods that allow for effective and better contextualized participatory design approaches. However, preliminary research identified challenges in understanding what makes a specific method effective and successfully contextualized in practice, and what key competences are needed for involved designers and engineers to understand and adopt these interdisciplinary methods. In this proposal, case study research is proposed with practitioners to gain insight into what are the key enabling factors for effective interdisciplinary participatory design methods and tools in the specific context of sociotechnical innovation. The involved companies are operating at the intersection between design, technology and societal impact, employing experts who can be considered changemakers, since they are in the lead of creative processes that bring together diverse groups of stakeholders in the process of sociotechnical innovation. A methodology will be developed to capture best practices and understand what makes the deployed methods effective. This methodology and a set of design guidelines for effective interdisciplinary participatory design will be delivered. In turn this will serve as a starting point for a larger design science research project, in which an educational toolkit for effective participatory design for socio-technical innovation will be designed.
